The Material, the Real, and the Fractured Self : : Subjectivity and Representation from Rimbaud to Réda / / Susan Harrow.
In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollinaire, Francis Ponge, and Jacques Réda. She demonstra...
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2004 |
Year of Publication: | 2016 |
Language: | English |
Series: | University of Toronto Romance Series
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Harrow, Susan, author. The Material, the Real, and the Fractured Self : Subjectivity and Representation from Rimbaud to Réda / Susan Harrow. Toronto : University of Toronto Press, [2016] ©2004 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda University of Toronto Romance Series Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Debris, Mess, and the Modernist Self: Rimbaud from Poésies to the Illuminations -- 2. Material Fragments, Autobiographical Fantasy: Reading Apollinaire's Calligrammes -- 3. From Culture Critique to Poetic Capital: Ponge's Things-in-Language -- 4. Sweeping the (Sub)urban Savannah: Everyday Culture and the Rédean Sublime -- Summations, Speculations -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollinaire, Francis Ponge, and Jacques Réda. She demonstrates the richness and the relevance of modern French poetry for today's readers, putting contemporary thought to work on the fractured self emerging in the post-Baudelairian lyric.Harrow addresses the widely perceived marginalization of poetry in the writing/theory debate, demonstrating that the emergence of a self at once shaped by and straining against material, historical, subjective, and cultural impediments reveals fertile relations between theory and poetry. Where purer forms of postmodernist thinking have stressed the dissolution and dispersal of the human subject, new approaches informed by cultural studies, autobiography theory, and gender studies work to recover fictions of experience and retrieve submerged narratives of the self. Probing the activity of textual self-recovery among the debris of history and fantasy, visuality and desire, and culture and corporeality, The Material, the Real, and the Fractured Self imparts something of the startling beauty and the raw urgency of poetry writing across the broad modern period. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) French poetry 19th century History and criticism. French poetry 20th century History and criticism. Modernism (Literature) France. LITERARY CRITICISM / European / French. bisacsh Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015 9783110667691 Title is part of eBook package: De Gruyter University of Toronto Press eBook Package Backlist 2000-2013 9783110490954 print 9780802087225 https://doi.org/10.3138/9781442681705 Cover https://www.degruyter.com/cover/covers/9781442681705.jpg |
language |
English |
format |
eBook |
author |
Harrow, Susan, |
spellingShingle |
Harrow, Susan, The Material, the Real, and the Fractured Self : Subjectivity and Representation from Rimbaud to Réda / University of Toronto Romance Series Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Debris, Mess, and the Modernist Self: Rimbaud from Poésies to the Illuminations -- 2. Material Fragments, Autobiographical Fantasy: Reading Apollinaire's Calligrammes -- 3. From Culture Critique to Poetic Capital: Ponge's Things-in-Language -- 4. Sweeping the (Sub)urban Savannah: Everyday Culture and the Rédean Sublime -- Summations, Speculations -- Notes -- Bibliography -- Index |
author_facet |
Harrow, Susan, |
author_variant |
s h sh |
author_role |
VerfasserIn |
author_sort |
Harrow, Susan, |
title |
The Material, the Real, and the Fractured Self : Subjectivity and Representation from Rimbaud to Réda / |
title_sub |
Subjectivity and Representation from Rimbaud to Réda / |
title_full |
The Material, the Real, and the Fractured Self : Subjectivity and Representation from Rimbaud to Réda / Susan Harrow. |
title_fullStr |
The Material, the Real, and the Fractured Self : Subjectivity and Representation from Rimbaud to Réda / Susan Harrow. |
title_full_unstemmed |
The Material, the Real, and the Fractured Self : Subjectivity and Representation from Rimbaud to Réda / Susan Harrow. |
title_auth |
The Material, the Real, and the Fractured Self : Subjectivity and Representation from Rimbaud to Réda / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Debris, Mess, and the Modernist Self: Rimbaud from Poésies to the Illuminations -- 2. Material Fragments, Autobiographical Fantasy: Reading Apollinaire's Calligrammes -- 3. From Culture Critique to Poetic Capital: Ponge's Things-in-Language -- 4. Sweeping the (Sub)urban Savannah: Everyday Culture and the Rédean Sublime -- Summations, Speculations -- Notes -- Bibliography -- Index |
title_new |
The Material, the Real, and the Fractured Self : |
title_sort |
the material, the real, and the fractured self : subjectivity and representation from rimbaud to réda / |
series |
University of Toronto Romance Series |
series2 |
University of Toronto Romance Series |
publisher |
University of Toronto Press, |
publishDate |
2016 |
physical |
1 online resource Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Debris, Mess, and the Modernist Self: Rimbaud from Poésies to the Illuminations -- 2. Material Fragments, Autobiographical Fantasy: Reading Apollinaire's Calligrammes -- 3. From Culture Critique to Poetic Capital: Ponge's Things-in-Language -- 4. Sweeping the (Sub)urban Savannah: Everyday Culture and the Rédean Sublime -- Summations, Speculations -- Notes -- Bibliography -- Index |
isbn |
9781442681705 9783110667691 9783110490954 9780802087225 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PQ - French, Italian, Spanish, Portuguese Literature |
callnumber-label |
PQ441 |
callnumber-sort |
PQ 3441 H37 42004EB |
geographic_facet |
France. |
era_facet |
19th century 20th century |
url |
https://doi.org/10.3138/9781442681705 https://www.degruyter.com/cover/covers/9781442681705.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
840 - French & related literatures |
dewey-ones |
841 - French poetry |
dewey-full |
841/.9109 |
dewey-sort |
3841 49109 |
dewey-raw |
841/.9109 |
dewey-search |
841/.9109 |
doi_str_mv |
10.3138/9781442681705 |
oclc_num |
1013944237 944177341 |
work_keys_str_mv |
AT harrowsusan thematerialtherealandthefracturedselfsubjectivityandrepresentationfromrimbaudtoreda AT harrowsusan materialtherealandthefracturedselfsubjectivityandrepresentationfromrimbaudtoreda |
status_str |
n |
ids_txt_mv |
(DE-B1597)464992 (OCoLC)1013944237 (OCoLC)944177341 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015 Title is part of eBook package: De Gruyter University of Toronto Press eBook Package Backlist 2000-2013 |
is_hierarchy_title |
The Material, the Real, and the Fractured Self : Subjectivity and Representation from Rimbaud to Réda / |
container_title |
Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015 |
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fullrecord |
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