The Figino, or On the Purpose of Painting : : Art Theory in the Late Renaissance / / ed. by Ann Doyle-Anderson, Giancarlo Maiorino.
Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been reco...
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Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2001 |
Year of Publication: | 2016 |
Language: | English |
Series: | Toronto Italian Studies
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Physical Description: | 1 online resource (192 p.) |
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The Figino, or On the Purpose of Painting : Art Theory in the Late Renaissance / ed. by Ann Doyle-Anderson, Giancarlo Maiorino. Toronto : University of Toronto Press, [2016] ©2001 1 online resource (192 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Toronto Italian Studies Frontmatter -- Contents -- Acknowledgments -- Introduction -- On the Translation -- The Figino -- Dedication -- The Dialogue -- Notes -- Selected Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time.In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Aesthetics Early works to 1800. Arts Philosophy Early works to 1800. Painting Philosophy Early works to 1800. ART / European. bisacsh Doyle-Anderson, Ann, editor. edt http://id.loc.gov/vocabulary/relators/edt Maiorino, Giancarlo, editor. edt http://id.loc.gov/vocabulary/relators/edt Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 9783110490954 print 9780802084460 https://doi.org/10.3138/9781442681279 https://www.degruyter.com/isbn/9781442681279 Cover https://www.degruyter.com/cover/covers/9781442681279.jpg |
language |
English |
format |
eBook |
author2 |
Doyle-Anderson, Ann, Doyle-Anderson, Ann, Maiorino, Giancarlo, Maiorino, Giancarlo, |
author_facet |
Doyle-Anderson, Ann, Doyle-Anderson, Ann, Maiorino, Giancarlo, Maiorino, Giancarlo, |
author2_variant |
a d a ada a d a ada g m gm g m gm |
author2_role |
HerausgeberIn HerausgeberIn HerausgeberIn HerausgeberIn |
author_sort |
Doyle-Anderson, Ann, |
title |
The Figino, or On the Purpose of Painting : Art Theory in the Late Renaissance / |
spellingShingle |
The Figino, or On the Purpose of Painting : Art Theory in the Late Renaissance / Toronto Italian Studies Frontmatter -- Contents -- Acknowledgments -- Introduction -- On the Translation -- The Figino -- Dedication -- The Dialogue -- Notes -- Selected Bibliography -- Index |
title_sub |
Art Theory in the Late Renaissance / |
title_full |
The Figino, or On the Purpose of Painting : Art Theory in the Late Renaissance / ed. by Ann Doyle-Anderson, Giancarlo Maiorino. |
title_fullStr |
The Figino, or On the Purpose of Painting : Art Theory in the Late Renaissance / ed. by Ann Doyle-Anderson, Giancarlo Maiorino. |
title_full_unstemmed |
The Figino, or On the Purpose of Painting : Art Theory in the Late Renaissance / ed. by Ann Doyle-Anderson, Giancarlo Maiorino. |
title_auth |
The Figino, or On the Purpose of Painting : Art Theory in the Late Renaissance / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- On the Translation -- The Figino -- Dedication -- The Dialogue -- Notes -- Selected Bibliography -- Index |
title_new |
The Figino, or On the Purpose of Painting : |
title_sort |
the figino, or on the purpose of painting : art theory in the late renaissance / |
series |
Toronto Italian Studies |
series2 |
Toronto Italian Studies |
publisher |
University of Toronto Press, |
publishDate |
2016 |
physical |
1 online resource (192 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- On the Translation -- The Figino -- Dedication -- The Dialogue -- Notes -- Selected Bibliography -- Index |
isbn |
9781442681279 9783110490954 9780802084460 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
ND - Painting |
callnumber-label |
ND1130 |
callnumber-sort |
ND 41130 |
genre_facet |
Early works to 1800. |
url |
https://doi.org/10.3138/9781442681279 https://www.degruyter.com/isbn/9781442681279 https://www.degruyter.com/cover/covers/9781442681279.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700/.1 |
dewey-sort |
3700 11 |
dewey-raw |
700/.1 |
dewey-search |
700/.1 |
doi_str_mv |
10.3138/9781442681279 |
oclc_num |
944177483 |
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Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
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The Figino, or On the Purpose of Painting : Art Theory in the Late Renaissance / |
container_title |
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