Spenser's Supreme Fiction : : Platonic Natural History and The Faerie Queene / / Jon A. Quitslund.

• Superior document: Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015
• VerfasserIn: Quitslund, Jon A.,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2016]; ©2001
• Year of Publication: 2016
• Language: English
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Acknowledgments --; Texts and Abbreviations --; Introduction --; PART ONE: The Maker's Mind --; 1. The Author in 1580 and 1590 --; 2. The World and the Book --; 3. The Poet as Magus and Viator --; 4. Platonic Natural Philosophy in the Aeneid --; PART TWO: 'Within this wide great Vniuerse' --; 5. Nature in The Faerie Queene: Concepts and Phenomena --; 6. Reading the Garden of Adonis Canto --; 7. The Platonic Program of the Garden Canto --; 8. The Faerie Queene in 1596 and 1609 --; Conclusion --; Notes --; Works Cited --; General Index --; Index of Names and Places in The Faerie Queene
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442680111; 9783110667691; 9783110490954
• DOI: 10.3138/9781442680111
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Jon A. Quitslund.

In Spenser's Supreme Fiction, Jon A. Quitslund offers a rich analysis of The Faerie Queene and of several texts contributing to the revival of Platonism stimulated by Marsilio Ficino's labours as a translator and interpreter of Plato and the ancient Neoplatonists. To the old issue of the scope and character of Spenser's Platonism, Quitslund brings fresh insights from contemporary views on gender and identity, intertextuality, and the centrality of fiction within all aspects of Renaissance culture. He argues that Spenser sought authority for his poem by grounding its narrative in a divinely ordained natural order, intelligible in terms derived from the ancient sources of poetry and philosophy. Passages central to the poet's world-making project are shown to be intertextually linked to Book VI of the AeneidM and to Plato's Symposium, regarded in the commentaries of Landino and Ficino as explanations of the gentile prisca theologia, a cosmology parallel to the tenets of Christianity.The first half of the book examines Spenser's representation of the macrocosm and its replication in human nature's lesser world in the light of divergent tendencies within humanism. The legacy of Plato is shown to be especially important in the esoteric tradition, which made the province of natural philosophy part of the soul's itinerary back to its otherworldly origins. In the second half, The Faerie Queene is interpreted as an unfolding pattern: the dynamic order of nature is flawed but not fallen, and seen against that background, human culture contains in its myths and images both corruptions of natural impulses and aspirations to transcend the limits imposed by mortality.