Regression and Apocalypse : : Studies in North American Literary Expressionism / / Sherrill E. Grace.

• Superior document: Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999
• VerfasserIn: Grace, Sherrill E.,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2016]; ©1989
• Year of Publication: 2016
• Language: English
• Physical Description: 1 online resource (315 p.)
• Other title: Frontmatter --; Contents --; Plates --; Preface --; Introduction --; Part One: 'Entartete Kunst' – Modernism in Germany --; 1. Expressionism: History, Definition, and Theory --; 2. German Expressionism in the Arts --; Part Two: Expressionism on the North American Stage --; 3. The New Art of the Theatre' in New York and Toronto --; 4. Eugene O'Neill: The American Georg Kaiser --; 5. Herman Voaden's 'Symphonic Expressionism' --; Part Three: Expressionism and the Modern Novel --; 6. The Dark Night of the Soul: Djuna Barnes's Nightwood --; 7. The Soul in Writhing Anguish: Malcolm Lowry's Under the Volcano --; 8. Sheila Watson and the 'Double Hook' of Expressive Abstraction --; 9. The real soul-sickness': Self-Creation and the Expressionist Method in Ralph Ellison's Invisible Man --; Part Four: The Expressionist Legacy --; 10 From Modernism to Postmodernism: Conclusions, Speculations, and Questions --; Notes --; Select Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442679153; 9783110490947
• DOI: 10.3138/9781442679153
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Sherrill E. Grace.

Expressionism continues to fascinate scholars, and in fact has recently passed through yet another revival. From its roots in German history, aesthetics, painting, theatre, and literature, it has spread to become an international phenomenon. In this analysis of Expressionist writing by Canadian and American authors, Sherrill Grace adds important new dimension to our understanding of the works of a number of playwrights and novelists.Working from a set of topoi and structural paradigms, Grace discusses selected examples of expressionistic texts by Eugene O'Neill, Herman Voaden, Malcolm Lowry, Ralph Ellison, Djuna Barnes, and Sheila Watson. Each of these writers was demonstrably conversatn with and influenced by German Expressionism in one or more media; taken together they suggest an alternative modernism to that of Joyce, Woolf, or Stein, and a common articulation of problems in stylistics, genre and form, and thematics.Grace concludes by relating the expressionism of these modernists to the 'neo-expressionism' of postmodernist art, pointing out a number of contemporary painters and writers who exploit the legacy of Expressionism in new ways.