Private Interests : : Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 / / Alison Conway.
This ambitious interdisciplinary study undertakes a new definition of the eighteenth-century novel's investment in vision and visual culture, tracing the relationship between the development of the novel and that of the equally contentious genre of the portrait, particularly as represented in t...
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| Superior document: | Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015 |
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2001 |
| Year of Publication: | 2016 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource |
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Table of Contents:
- Frontmatter
- Contents
- Illustrations
- Acknowledgments
- Introduction
- Chapter One. The Novel and the Portrait in Eighteenth-Century England
- Chapter Two. Envisioning Literary Interest: Manley's The New Atalantis
- Chapter Three. 'Ravished Sight': Picturing Clarissa
- Chapter Four. Refiguring Virtue: The History of Miss Betsy Thoughtless and Amelia
- Chapter Five. Taint her to your own mind': Sterne's Concupiscible Narratives
- Chapter Six. Portraits of the Woman Artist: Kauffman, Wollstonecraft, and Inchbald
- Afterword
- Notes
- Bibliography
- Index