Narrative Perspective in Fiction : : A Phenomenological Meditation of Reader, Text, and World / / Daniel Chamberlain.
Daniel Chamberlain examines the nature of narrative perspective in a manner that does not presuppose a passive definition of perception. Rather, he considers perspective as a medium through which the potential meanings of texts are disclosed and through which to share the vital experience of narrati...
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| Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©1990 |
| Year of Publication: | 2016 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (272 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- Part One: The Meaning of Narrative Perspective
- 1. Language of Experience: Hans-Georg Gadamer and Consciousness Exposed to the Effects of History
- 2. Perception of Language: Maurice Merleau-Ponty and the Phenomenology of Perception
- 3. The Experience of Perception: Paul Ricoeur and Phenomenological Hermeneutics
- 4. The Concept of Narrative Perspective
- 5. Figuring out Narrative Perspective: Facets of Structure
- Part Two: Playing Narrative Perspective
- 6. Narrative Perspective in the Reading Experience
- 7. The Fabulous Metaphor of Cien años de soledad
- 8. The Ironic Parable of Jacob’s Room
- Concluding Considerations
- Notes
- References
- Index
- Backmatter