Narrative Interludes : : Musical Tableaux in Eighteenth-Century French Texts / / Tili Boon Cuille.
French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music?s expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau?s controversial...
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2005 |
Year of Publication: | 2016 |
Language: | English |
Series: | University of Toronto Romance Series
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Cuille, Tili Boon, author. Narrative Interludes : Musical Tableaux in Eighteenth-Century French Texts / Tili Boon Cuille. Toronto : University of Toronto Press, [2016] ©2005 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda University of Toronto Romance Series Frontmatter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction: Tableau Theory -- Part One. Music and Language: La Qurelle des Bouffons -- 1. Diderot and Musical Mimesis -- 2. Cazotte and Reader Re-creation -- 3. Beaumarchais's Staged Songs -- Part Two. Music and Morality: La Querelle des Femmes -- 4. Charriere's Exercises in Equivocation -- 5. Cottin, Krüdener, and Musical Mesmerism -- 6. Staël's Sweet Revenge -- Afterward -- Notes -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music?s expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau?s controversial statements led his readers to interrogate the relationship between music, meaning, and morality. They depicted their resistance to his claims in musical tableaux, or musical performances staged for a beholder inscribed within the text. Tili Boon Cuillé?s Narrative Interludes chronicles the emergence of the musical tableau in French literature.Spanning the latter half of the eighteenth century, Cuillé brings the cultural discourse on music and musicians to bear on the works of Diderot, Cazotte, Beaumarchais, Charrière, Cottin, Krüdener, and Staël. She turns attention from the representation of music to its moral repercussions, from aesthetic innovation to social resistance, and from national to gender politics. Juxtaposing pre-eminent and popular writers, Cuillé reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have previously fallen outside the scope of literary analysis but that revolutionized the form and function of music in the text. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) Aesthetics, French 18th century. Art and literature France History 18th century. French literature 18th century History and criticism. Opera France History and criticism. LITERARY CRITICISM / European / French. bisacsh Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015 9783110667691 Title is part of eBook package: De Gruyter University of Toronto Press eBook Package Backlist 2000-2013 9783110490954 print 9780802038425 https://doi.org/10.3138/9781442677524 Cover https://www.degruyter.com/cover/covers/9781442677524.jpg |
language |
English |
format |
eBook |
author |
Cuille, Tili Boon, |
spellingShingle |
Cuille, Tili Boon, Narrative Interludes : Musical Tableaux in Eighteenth-Century French Texts / University of Toronto Romance Series Frontmatter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction: Tableau Theory -- Part One. Music and Language: La Qurelle des Bouffons -- 1. Diderot and Musical Mimesis -- 2. Cazotte and Reader Re-creation -- 3. Beaumarchais's Staged Songs -- Part Two. Music and Morality: La Querelle des Femmes -- 4. Charriere's Exercises in Equivocation -- 5. Cottin, Krüdener, and Musical Mesmerism -- 6. Staël's Sweet Revenge -- Afterward -- Notes -- Works Cited -- Index |
author_facet |
Cuille, Tili Boon, |
author_variant |
t b c tb tbc |
author_role |
VerfasserIn |
author_sort |
Cuille, Tili Boon, |
title |
Narrative Interludes : Musical Tableaux in Eighteenth-Century French Texts / |
title_sub |
Musical Tableaux in Eighteenth-Century French Texts / |
title_full |
Narrative Interludes : Musical Tableaux in Eighteenth-Century French Texts / Tili Boon Cuille. |
title_fullStr |
Narrative Interludes : Musical Tableaux in Eighteenth-Century French Texts / Tili Boon Cuille. |
title_full_unstemmed |
Narrative Interludes : Musical Tableaux in Eighteenth-Century French Texts / Tili Boon Cuille. |
title_auth |
Narrative Interludes : Musical Tableaux in Eighteenth-Century French Texts / |
title_alt |
Frontmatter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction: Tableau Theory -- Part One. Music and Language: La Qurelle des Bouffons -- 1. Diderot and Musical Mimesis -- 2. Cazotte and Reader Re-creation -- 3. Beaumarchais's Staged Songs -- Part Two. Music and Morality: La Querelle des Femmes -- 4. Charriere's Exercises in Equivocation -- 5. Cottin, Krüdener, and Musical Mesmerism -- 6. Staël's Sweet Revenge -- Afterward -- Notes -- Works Cited -- Index |
title_new |
Narrative Interludes : |
title_sort |
narrative interludes : musical tableaux in eighteenth-century french texts / |
series |
University of Toronto Romance Series |
series2 |
University of Toronto Romance Series |
publisher |
University of Toronto Press, |
publishDate |
2016 |
physical |
1 online resource Issued also in print. |
contents |
Frontmatter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction: Tableau Theory -- Part One. Music and Language: La Qurelle des Bouffons -- 1. Diderot and Musical Mimesis -- 2. Cazotte and Reader Re-creation -- 3. Beaumarchais's Staged Songs -- Part Two. Music and Morality: La Querelle des Femmes -- 4. Charriere's Exercises in Equivocation -- 5. Cottin, Krüdener, and Musical Mesmerism -- 6. Staël's Sweet Revenge -- Afterward -- Notes -- Works Cited -- Index |
isbn |
9781442677524 9783110667691 9783110490954 9780802038425 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML1727 |
callnumber-sort |
ML 41727.3 |
geographic_facet |
France |
era_facet |
18th century. 18th century |
url |
https://doi.org/10.3138/9781442677524 https://www.degruyter.com/cover/covers/9781442677524.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
840 - French & related literatures |
dewey-ones |
842 - French drama |
dewey-full |
842/.5 |
dewey-sort |
3842 15 |
dewey-raw |
842/.5 |
dewey-search |
842/.5 |
doi_str_mv |
10.3138/9781442677524 |
oclc_num |
1013966979 946712704 |
work_keys_str_mv |
AT cuilletiliboon narrativeinterludesmusicaltableauxineighteenthcenturyfrenchtexts |
status_str |
n |
ids_txt_mv |
(DE-B1597)464676 (OCoLC)1013966979 (OCoLC)946712704 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015 Title is part of eBook package: De Gruyter University of Toronto Press eBook Package Backlist 2000-2013 |
is_hierarchy_title |
Narrative Interludes : Musical Tableaux in Eighteenth-Century French Texts / |
container_title |
Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015 |
_version_ |
1806143690317496321 |
fullrecord |
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