McLuhan in Space : : A Cultural Geography / / Richard Cavell.
The first book to propose that Marshall McLuhan be read as a spatial theorist, McLuhan in Space argues that space is the single most consistent concept in McLuhan's vast and eclectic body of work. Richard Cavell demonstrates how McLuhan extended insights derived from advances in physics and art...
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| Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
|---|---|
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2017] ©2002 |
| Year of Publication: | 2017 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (360 p.) |
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| 001 | 9781442677135 | ||
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| 100 | 1 | |a Cavell, Richard, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a McLuhan in Space : |b A Cultural Geography / |c Richard Cavell. |
| 264 | 1 | |a Toronto : |b University of Toronto Press, |c [2017] | |
| 264 | 4 | |c ©2002 | |
| 300 | |a 1 online resource (360 p.) | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Sigla -- |t PREFACE. 'Space' in McLuhan -- |t PART ONE. SPACED -- |t CHAPTER ONE. A Short History of Space -- |t CHAPTER TWO. Mechanization and Its Discontents -- |t CHAPTER THREE. The Physics of Flatland -- |t CHAPTER FOUR. Prosthetic Aesthetics -- |t INTERFACE. The Intellectual as Vates -- |t PART TWO. SCAPED -- |t CHAPTER FIVE. Artiste de livres -- |t CHAPTER SIX. Visible Speech -- |t CHAPTER SEVEN. Art without Walls -- |t CHAPTER EIGHT. Borderlines -- |t POSTFACE. McLuhan in Space -- |t Notes -- |t Details of Sigla -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a The first book to propose that Marshall McLuhan be read as a spatial theorist, McLuhan in Space argues that space is the single most consistent concept in McLuhan's vast and eclectic body of work. Richard Cavell demonstrates how McLuhan extended insights derived from advances in physics and artistic experimentation into a theory of acoustic space, which he then used to challenge the assumptions of visual space that had been produced through 500 years of print culture. The notion of acoustic space provided McLuhan with a heuristic probe of prodigious range, allowing him to examine critically the many social and cultural forms of contemporary media production. It also enabled him to cross over intellectually from the purely theoretical realm into that of artistic production, where his interests in radical notions of spatial production were shared by a range of avant garde artists from bp Nichol to Glenn Gould, from John Cage to the Fluxus artists - an artistic milieu in which McLuhan increasingly came to situate his work. Cavell's book is the first to examine McLuhan's work in light of this artistic backdrop, and the first to examine his contribution to Canadian studies. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 7 | |a SOCIAL SCIENCE / General. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Toronto Press eBook-Package Backlist 2000-2013 |z 9783110490954 |
| 776 | 0 | |c print |z 9780802086587 | |
| 856 | 4 | 0 | |u https://doi.org/10.3138/9781442677135 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781442677135 |
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