Masters of Two Arts : : Re-creation of European Literatures in Italian Cinema / / Carlo Testa.
The movie screen has been the forum for many star pairings: Bogart and Bacall, Tracy and Hepburn, and Fellini and Kafka. While this latter combination might seem slightly unexpected or improbable at first sight, Carlo Testa's Masters of Two Arts demonstrates that pairings of famed directors and...
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2002 |
Year of Publication: | 2016 |
Language: | English |
Series: | Toronto Italian Studies
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Testa, Carlo, author. aut http://id.loc.gov/vocabulary/relators/aut Masters of Two Arts : Re-creation of European Literatures in Italian Cinema / Carlo Testa. Toronto : University of Toronto Press, [2016] ©2002 1 online resource (336 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Toronto Italian Studies Frontmatter -- Contents -- ACKNOWLEDGMENTS -- Introduction -- Part One: Epigraphic Re-creations -- 1. Goethe and Archibugi Italy, the Illegible Land: Mignon Has Left (1988) -- 2. Kafka and Fellini Soteriology, Cinecittà-style: America and Intervista (1987) -- Part Two: Coextensive Re-creations -- 3. Gogol and Lattuada Fantastic Neorealism: The Overcoat (1952) -- 4. Tolstoy and the Tavianis The Interminable Path of History: Father Sergius and The Night Sun (1990) -- The Re-creation to End All Creation -- Sade and Pasolini Requiem for a Utopia: Said or the 120 Days of Sodom (1975) -- Part Three: Mediated Re-creations -- 5. Mérimée, Bizet, and Rosi The Consummation of Meridionalism: Carmen (1984) -- 6. Pasternak, Lean, and Moretti Hermits and Revolutionaries: Palombella rossa (1989) -- Part Four: Hypertextual Re-creations -- 7. Stendhal and Rossellini The Masterpiece Fights Back: Vanina Vanini (1961) -- 8. Mann and Visconti One Sentry Falls: Death in Venice (1971) -- Conclusion -- On Readings: Perfect/Imperfect, Difficult, and More Difficult -- NOTES -- FILMOGRAPHY -- WORKS CITED -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The movie screen has been the forum for many star pairings: Bogart and Bacall, Tracy and Hepburn, and Fellini and Kafka. While this latter combination might seem slightly unexpected or improbable at first sight, Carlo Testa's Masters of Two Arts demonstrates that pairings of famed directors and writers are commonplace in modern Italian cinema. Surprisingly, the study of the interrelation between Italian cinema and European literature has been almost completely neglected in film scholarship. Testa addresses and attempts to correct this oversight with nine in-depth analyses of the one-on-one rapport between an Italian filmmaker and a "classic" name in modern European literature. Looking at combinations such as Pasolini and Sade, Rossellini and Stendhal, and Visconti and Mann amongst others, Testa uses theoretical as well as historical methods, showing how the respective text undergoes not 'adaptation' but full 're-creation' (as defined by Èizenshtein) in a different art form and, even more importantly, in a new cultural context. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) European literature Film adaptations. Motion pictures and literature Italy History 20th century. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 9783110490954 print 9780802084750 https://doi.org/10.3138/9781442677111 https://www.degruyter.com/isbn/9781442677111 Cover https://www.degruyter.com/cover/covers/9781442677111.jpg |
language |
English |
format |
eBook |
author |
Testa, Carlo, Testa, Carlo, |
spellingShingle |
Testa, Carlo, Testa, Carlo, Masters of Two Arts : Re-creation of European Literatures in Italian Cinema / Toronto Italian Studies Frontmatter -- Contents -- ACKNOWLEDGMENTS -- Introduction -- Part One: Epigraphic Re-creations -- 1. Goethe and Archibugi Italy, the Illegible Land: Mignon Has Left (1988) -- 2. Kafka and Fellini Soteriology, Cinecittà-style: America and Intervista (1987) -- Part Two: Coextensive Re-creations -- 3. Gogol and Lattuada Fantastic Neorealism: The Overcoat (1952) -- 4. Tolstoy and the Tavianis The Interminable Path of History: Father Sergius and The Night Sun (1990) -- The Re-creation to End All Creation -- Sade and Pasolini Requiem for a Utopia: Said or the 120 Days of Sodom (1975) -- Part Three: Mediated Re-creations -- 5. Mérimée, Bizet, and Rosi The Consummation of Meridionalism: Carmen (1984) -- 6. Pasternak, Lean, and Moretti Hermits and Revolutionaries: Palombella rossa (1989) -- Part Four: Hypertextual Re-creations -- 7. Stendhal and Rossellini The Masterpiece Fights Back: Vanina Vanini (1961) -- 8. Mann and Visconti One Sentry Falls: Death in Venice (1971) -- Conclusion -- On Readings: Perfect/Imperfect, Difficult, and More Difficult -- NOTES -- FILMOGRAPHY -- WORKS CITED -- INDEX |
author_facet |
Testa, Carlo, Testa, Carlo, |
author_variant |
c t ct c t ct |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Testa, Carlo, |
title |
Masters of Two Arts : Re-creation of European Literatures in Italian Cinema / |
title_sub |
Re-creation of European Literatures in Italian Cinema / |
title_full |
Masters of Two Arts : Re-creation of European Literatures in Italian Cinema / Carlo Testa. |
title_fullStr |
Masters of Two Arts : Re-creation of European Literatures in Italian Cinema / Carlo Testa. |
title_full_unstemmed |
Masters of Two Arts : Re-creation of European Literatures in Italian Cinema / Carlo Testa. |
title_auth |
Masters of Two Arts : Re-creation of European Literatures in Italian Cinema / |
title_alt |
Frontmatter -- Contents -- ACKNOWLEDGMENTS -- Introduction -- Part One: Epigraphic Re-creations -- 1. Goethe and Archibugi Italy, the Illegible Land: Mignon Has Left (1988) -- 2. Kafka and Fellini Soteriology, Cinecittà-style: America and Intervista (1987) -- Part Two: Coextensive Re-creations -- 3. Gogol and Lattuada Fantastic Neorealism: The Overcoat (1952) -- 4. Tolstoy and the Tavianis The Interminable Path of History: Father Sergius and The Night Sun (1990) -- The Re-creation to End All Creation -- Sade and Pasolini Requiem for a Utopia: Said or the 120 Days of Sodom (1975) -- Part Three: Mediated Re-creations -- 5. Mérimée, Bizet, and Rosi The Consummation of Meridionalism: Carmen (1984) -- 6. Pasternak, Lean, and Moretti Hermits and Revolutionaries: Palombella rossa (1989) -- Part Four: Hypertextual Re-creations -- 7. Stendhal and Rossellini The Masterpiece Fights Back: Vanina Vanini (1961) -- 8. Mann and Visconti One Sentry Falls: Death in Venice (1971) -- Conclusion -- On Readings: Perfect/Imperfect, Difficult, and More Difficult -- NOTES -- FILMOGRAPHY -- WORKS CITED -- INDEX |
title_new |
Masters of Two Arts : |
title_sort |
masters of two arts : re-creation of european literatures in italian cinema / |
series |
Toronto Italian Studies |
series2 |
Toronto Italian Studies |
publisher |
University of Toronto Press, |
publishDate |
2016 |
physical |
1 online resource (336 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- ACKNOWLEDGMENTS -- Introduction -- Part One: Epigraphic Re-creations -- 1. Goethe and Archibugi Italy, the Illegible Land: Mignon Has Left (1988) -- 2. Kafka and Fellini Soteriology, Cinecittà-style: America and Intervista (1987) -- Part Two: Coextensive Re-creations -- 3. Gogol and Lattuada Fantastic Neorealism: The Overcoat (1952) -- 4. Tolstoy and the Tavianis The Interminable Path of History: Father Sergius and The Night Sun (1990) -- The Re-creation to End All Creation -- Sade and Pasolini Requiem for a Utopia: Said or the 120 Days of Sodom (1975) -- Part Three: Mediated Re-creations -- 5. Mérimée, Bizet, and Rosi The Consummation of Meridionalism: Carmen (1984) -- 6. Pasternak, Lean, and Moretti Hermits and Revolutionaries: Palombella rossa (1989) -- Part Four: Hypertextual Re-creations -- 7. Stendhal and Rossellini The Masterpiece Fights Back: Vanina Vanini (1961) -- 8. Mann and Visconti One Sentry Falls: Death in Venice (1971) -- Conclusion -- On Readings: Perfect/Imperfect, Difficult, and More Difficult -- NOTES -- FILMOGRAPHY -- WORKS CITED -- INDEX |
isbn |
9781442677111 9783110490954 9780802084750 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 I88 T47 42002EB |
geographic_facet |
Italy |
era_facet |
20th century. |
url |
https://doi.org/10.3138/9781442677111 https://www.degruyter.com/isbn/9781442677111 https://www.degruyter.com/cover/covers/9781442677111.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/6 |
dewey-sort |
3791.43 16 |
dewey-raw |
791.43/6 |
dewey-search |
791.43/6 |
doi_str_mv |
10.3138/9781442677111 |
oclc_num |
944177979 |
work_keys_str_mv |
AT testacarlo mastersoftwoartsrecreationofeuropeanliteraturesinitaliancinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)464643 (OCoLC)944177979 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Masters of Two Arts : Re-creation of European Literatures in Italian Cinema / |
container_title |
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
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fullrecord |
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