Hopkins's Poetics of Speech Sound : : Sprung Rhythm, Lettering, Inscape / / James I. Wimsatt.

Although virtually unknown in his lifetime, Gerard Manley Hopkins (1844?1889) is counted today among the great nineteenth-century poets. His poetry was collected and published posthumously by his friend Robert Bridges in 1917, and subsequently Hopkins?s reputation flowered, though more as a modern w...

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Superior document:Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015
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Place / Publishing House:Toronto : : University of Toronto Press, , [2016]
©2006
Year of Publication:2016
Language:English
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Physical Description:1 online resource
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100 1 |a Wimsatt, James I.,   |e author. 
245 1 0 |a Hopkins's Poetics of Speech Sound :  |b Sprung Rhythm, Lettering, Inscape /  |c James I. Wimsatt. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2016] 
264 4 |c ©2006 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Abbreviations --   |t Introduction: Hopkins's Manifesto - 'Poetry and Verse' --   |t 1. Sprung Rhythm: The Music of Speech --   |t 2. Sprung Rhythm: The Music of Verse --   |t 3. Lettering: Rhyme 'Widely' Understood --   |t 4. 'Inscape' and Poetic Meaning --   |t 5. Poetry as the Language of the Body --   |t Conclusion: 'The Music of His Mind' - Hopkins's Poetry and His Poetics --   |t Works Cited --   |t Index 
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520 |a Although virtually unknown in his lifetime, Gerard Manley Hopkins (1844?1889) is counted today among the great nineteenth-century poets. His poetry was collected and published posthumously by his friend Robert Bridges in 1917, and subsequently Hopkins?s reputation flowered, though more as a modern writer than as Victorian, and very little as a poetic theorist. Yet the body of Hopkins?s critical writing reveals sharp insight into the subject of poetics, and presents an innovative theory that locates primary poetic meaning in ?figures of speech sound.? These ?figures of speech sound? provide the focus for James I. Wimsatt?s erudite and original study. Drawing from Hopkins?s diaries, letters, student essays, and correspondence with poet-friends, Wimsatt illuminates Hopkins?s theory that the sound of poetic language carries an emotional, not merely logical and grammatical, meaning. Wimsatt concentrates his study on Hopkins?s writings about ?sprung rhythm,? ?lettering,? and ?inscape,? ? his coinages ? and makes abundant reference to Hopkins?s verse, showing how it exemplifies his language theory. A well-researched and highly detailed book, Hopkins?s Poetics of Speech Sound asserts major significance for a relatively neglected aspect of this important poet?s writings.  
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) 
650 0 |a Poetics. 
650 7 |a LITERARY CRITICISM / Poetry.  |2 bisacsh 
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