Dante, Cinema, and Television / / ed. by Amilcare Iannucci.
The Divine Comedy of Dante Alighieri (1265?1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well...
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Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2004 |
Year of Publication: | 2016 |
Language: | English |
Series: | Toronto Italian Studies
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Online Access: | |
Physical Description: | 1 online resource (270 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- Dante and Hollywood
- Early Cinema, Dante's Inferno of 1911, and the Origins of Italian Film Culture
- The Helios-Psiche Dante Trilogy
- Back to the Future: Dante and the Languages of Post-war Italian Film
- Beginning to Think about Salò
- The Off-Screen Landscape: Dante's Ravenna and Antonioni's Red Desert
- Spencer Williams and Dante: An African-American Filmmaker at the Gates of Hell
- Television, Translation, and Vulgarization: Reflections on Phillips' and Greenaway's A TV Dante
- Dopo Tanto Veder: Pasolini's Dante after the Disappearance of the Fireflies
- 'Non Senti Come Tutto Questo Ti Assomiglia?' Fellini's Infernal Circles
- Dante and Canadian Cinema
- Dante and Cinema: Film across a Chasm
- Dante by Heart and Dante Declaimed: The 'Realization' of the Comedy on Italian Radio and Television
- Notes on Contributors
- Index of Films
- Index of Names