Dante, Cinema, and Television / / ed. by Amilcare Iannucci.

The Divine Comedy of Dante Alighieri (1265?1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
MitwirkendeR:
HerausgeberIn:
Place / Publishing House:Toronto : : University of Toronto Press, , [2016]
©2004
Year of Publication:2016
Language:English
Series:Toronto Italian Studies
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Physical Description:1 online resource (270 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Acknowledgments
  • Introduction
  • Dante and Hollywood
  • Early Cinema, Dante's Inferno of 1911, and the Origins of Italian Film Culture
  • The Helios-Psiche Dante Trilogy
  • Back to the Future: Dante and the Languages of Post-war Italian Film
  • Beginning to Think about Salò
  • The Off-Screen Landscape: Dante's Ravenna and Antonioni's Red Desert
  • Spencer Williams and Dante: An African-American Filmmaker at the Gates of Hell
  • Television, Translation, and Vulgarization: Reflections on Phillips' and Greenaway's A TV Dante
  • Dopo Tanto Veder: Pasolini's Dante after the Disappearance of the Fireflies
  • 'Non Senti Come Tutto Questo Ti Assomiglia?' Fellini's Infernal Circles
  • Dante and Canadian Cinema
  • Dante and Cinema: Film across a Chasm
  • Dante by Heart and Dante Declaimed: The 'Realization' of the Comedy on Italian Radio and Television
  • Notes on Contributors
  • Index of Films
  • Index of Names