Creative Entanglements : : Gadda and the Baroque / / Robert S Dombroski.
In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative Entanglements Robert Dombroski critical...
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Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©1999 |
Year of Publication: | 2016 |
Language: | English |
Series: | Toronto Italian Studies
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Online Access: | |
Physical Description: | 1 online resource (192 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Preface
- 1. Gadda and the Baroque
- 2. Baroque Solitude: Disillusion and the Ruins of War
- 3. Creative Bodies: Theory and Practice of the Grotesque
- 4. A Baroque Ethics
- 5. A Baroque Mystery
- Appendix. Gadda and Fascism
- Notes
- References
- Index