Cinema and Semiotic : : Peirce and Film Aesthetics, Narration, and Representation / / P. Johannes Ehrat, SJ.
'Meaning' in cinema is very complex, and the flood of theories that define it have, in certain ways, left cinematic meaning meaningless. Johannes Ehrat's analysis of meaning in cinema has convinced him that what is needed is greater philosophical reflection on the construction of mean...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2004 |
Year of Publication: | 2016 |
Language: | English |
Series: | Toronto Studies in Semiotics and Communication
|
Online Access: | |
Physical Description: | 1 online resource (670 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781442672956 |
---|---|
ctrlnum |
(DE-B1597)464321 (OCoLC)944178324 |
collection |
bib_alma |
record_format |
marc |
spelling |
Ehrat, SJ, P. Johannes , author. aut http://id.loc.gov/vocabulary/relators/aut Cinema and Semiotic : Peirce and Film Aesthetics, Narration, and Representation / P. Johannes Ehrat, SJ. Toronto : University of Toronto Press, [2016] ©2004 1 online resource (670 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Toronto Studies in Semiotics and Communication Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 On Signs, Categories, and Reality and How They Relate to Cinema -- 2 Semiotic and Its Practical Use for Cinema -- 3 What 'Is' Cinema? -- 4 Narration in Film and Film Theory -- 5 Narration, Time, and Narratologies -- 6 Enunciation in Cinema -- Conclusion -- Notes -- Bibliography -- Filmography, by Director -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star 'Meaning' in cinema is very complex, and the flood of theories that define it have, in certain ways, left cinematic meaning meaningless. Johannes Ehrat's analysis of meaning in cinema has convinced him that what is needed is greater philosophical reflection on the construction of meaning. In Cinema and Semiotic, he attempts to resurrect meaning by employing Charles S. Peirce's theories on semiotics to debate the major contemporary film theories that have diluted it.Based on Peirce's Semiotic and Pragmatism, Ehrat offers a novel approach to cinematic meaning in three central areas: narrative enunciation, cinematic world appropriation, and cinematic perception. Attempting a comprehensive theory of cinema ? instead of the regional 'middle-ground' theories that function only on certain 'common-sense' assumptions that borrow uncritically from psychophysiology ? Ehrat further demonstrates how a semiotic approach grasps the nature of time, not in a psychological manner, but rather cognitively, and provides a new understanding of the particular filmic sign process that relates a sign to the existence or non-existence of objects. Never before has Peirce been so fruitfully employed for the comprehension of meaning in cinema. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Motion pictures Aesthetics. Motion pictures Semiotics. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 9783110490954 print 9780802039125 https://doi.org/10.3138/9781442672956 https://www.degruyter.com/isbn/9781442672956 Cover https://www.degruyter.com/cover/covers/9781442672956.jpg |
language |
English |
format |
eBook |
author |
Ehrat, SJ, P. Johannes , Ehrat, SJ, P. Johannes , |
spellingShingle |
Ehrat, SJ, P. Johannes , Ehrat, SJ, P. Johannes , Cinema and Semiotic : Peirce and Film Aesthetics, Narration, and Representation / Toronto Studies in Semiotics and Communication Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 On Signs, Categories, and Reality and How They Relate to Cinema -- 2 Semiotic and Its Practical Use for Cinema -- 3 What 'Is' Cinema? -- 4 Narration in Film and Film Theory -- 5 Narration, Time, and Narratologies -- 6 Enunciation in Cinema -- Conclusion -- Notes -- Bibliography -- Filmography, by Director -- Index |
author_facet |
Ehrat, SJ, P. Johannes , Ehrat, SJ, P. Johannes , |
author_variant |
s p j e spj spje s p j e spj spje |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Ehrat, SJ, P. Johannes , |
title |
Cinema and Semiotic : Peirce and Film Aesthetics, Narration, and Representation / |
title_sub |
Peirce and Film Aesthetics, Narration, and Representation / |
title_full |
Cinema and Semiotic : Peirce and Film Aesthetics, Narration, and Representation / P. Johannes Ehrat, SJ. |
title_fullStr |
Cinema and Semiotic : Peirce and Film Aesthetics, Narration, and Representation / P. Johannes Ehrat, SJ. |
title_full_unstemmed |
Cinema and Semiotic : Peirce and Film Aesthetics, Narration, and Representation / P. Johannes Ehrat, SJ. |
title_auth |
Cinema and Semiotic : Peirce and Film Aesthetics, Narration, and Representation / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 On Signs, Categories, and Reality and How They Relate to Cinema -- 2 Semiotic and Its Practical Use for Cinema -- 3 What 'Is' Cinema? -- 4 Narration in Film and Film Theory -- 5 Narration, Time, and Narratologies -- 6 Enunciation in Cinema -- Conclusion -- Notes -- Bibliography -- Filmography, by Director -- Index |
title_new |
Cinema and Semiotic : |
title_sort |
cinema and semiotic : peirce and film aesthetics, narration, and representation / |
series |
Toronto Studies in Semiotics and Communication |
series2 |
Toronto Studies in Semiotics and Communication |
publisher |
University of Toronto Press, |
publishDate |
2016 |
physical |
1 online resource (670 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 On Signs, Categories, and Reality and How They Relate to Cinema -- 2 Semiotic and Its Practical Use for Cinema -- 3 What 'Is' Cinema? -- 4 Narration in Film and Film Theory -- 5 Narration, Time, and Narratologies -- 6 Enunciation in Cinema -- Conclusion -- Notes -- Bibliography -- Filmography, by Director -- Index |
isbn |
9781442672956 9783110490954 9780802039125 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995 E397 42004EB |
url |
https://doi.org/10.3138/9781442672956 https://www.degruyter.com/isbn/9781442672956 https://www.degruyter.com/cover/covers/9781442672956.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/01/4 |
dewey-sort |
3791.43 11 14 |
dewey-raw |
791.43/01/4 |
dewey-search |
791.43/01/4 |
doi_str_mv |
10.3138/9781442672956 |
oclc_num |
944178324 |
work_keys_str_mv |
AT ehratsjpjohannes cinemaandsemioticpeirceandfilmaestheticsnarrationandrepresentation |
status_str |
n |
ids_txt_mv |
(DE-B1597)464321 (OCoLC)944178324 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Cinema and Semiotic : Peirce and Film Aesthetics, Narration, and Representation / |
container_title |
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
_version_ |
1770176810549510144 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04283nam a22007335i 4500</leader><controlfield tag="001">9781442672956</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210830012106.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210830t20162004onc fo d z eng d</controlfield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)999361848</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781442672956</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3138/9781442672956</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)464321</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)944178324</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">onc</subfield><subfield code="c">CA-ON</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995</subfield><subfield code="b">.E397 2004eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43/01/4</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ehrat, SJ, P. Johannes , </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Cinema and Semiotic :</subfield><subfield code="b">Peirce and Film Aesthetics, Narration, and Representation /</subfield><subfield code="c">P. Johannes Ehrat, SJ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto : </subfield><subfield code="b">University of Toronto Press, </subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2004</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (670 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Toronto Studies in Semiotics and Communication</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">1 On Signs, Categories, and Reality and How They Relate to Cinema -- </subfield><subfield code="t">2 Semiotic and Its Practical Use for Cinema -- </subfield><subfield code="t">3 What 'Is' Cinema? -- </subfield><subfield code="t">4 Narration in Film and Film Theory -- </subfield><subfield code="t">5 Narration, Time, and Narratologies -- </subfield><subfield code="t">6 Enunciation in Cinema -- </subfield><subfield code="t">Conclusion -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Filmography, by Director -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">'Meaning' in cinema is very complex, and the flood of theories that define it have, in certain ways, left cinematic meaning meaningless. Johannes Ehrat's analysis of meaning in cinema has convinced him that what is needed is greater philosophical reflection on the construction of meaning. In Cinema and Semiotic, he attempts to resurrect meaning by employing Charles S. Peirce's theories on semiotics to debate the major contemporary film theories that have diluted it.Based on Peirce's Semiotic and Pragmatism, Ehrat offers a novel approach to cinematic meaning in three central areas: narrative enunciation, cinematic world appropriation, and cinematic perception. Attempting a comprehensive theory of cinema ? instead of the regional 'middle-ground' theories that function only on certain 'common-sense' assumptions that borrow uncritically from psychophysiology ? Ehrat further demonstrates how a semiotic approach grasps the nature of time, not in a psychological manner, but rather cognitively, and provides a new understanding of the particular filmic sign process that relates a sign to the existence or non-existence of objects. Never before has Peirce been so fruitfully employed for the comprehension of meaning in cinema.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Aesthetics.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Semiotics.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">University of Toronto Press eBook-Package Backlist 2000-2013</subfield><subfield code="z">9783110490954</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780802039125</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.3138/9781442672956</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781442672956</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9781442672956.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-049095-4 University of Toronto Press eBook-Package Backlist 2000-2013</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |