Chaucer's Queer Poetics : : Rereading the Dream Trio / / Susan Schibanoff.

• Superior document: Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015
• VerfasserIn: Schibanoff, Susan,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2016]; ©2006
• Year of Publication: 2016
• Language: English
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: 'There is nothing French about Chaucer' --; PART 1 --; 1. Anti-Courtly Polemic in the Chaucer Escape Narrative and the Queer Decoy --; 2. Courtliness and Heterosexual Poetics in the Book of the Duchess --; PART 2 --; 3. What Dante Meant to Chaucer: The Hermaphrodite Poetics of the Divine Comedy --; 4. The House of Fame: Geffrey as Ganymede --; PART 3 --; 5. Disorderly Nature: Aristotle, Alan of Lille, and Jean de Meun --; 6. 'imaked ... in Fraunce': Nature's Queer Poetics in the Parliament of Fowls --; Au revoir: Queer Poetics and Chaucer's Englishness --; Notes --; Works Cited --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442672918; 9783110667691; 9783110490954
• DOI: 10.3138/9781442672918
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Susan Schibanoff.

Geoffrey Chaucer was arguably fourteenth-century England?s greatest poet. In the nineteenth century, readers of Chaucer?s early dream poems ? the Book of the Duchess, House of Fame, and Parliament of Fowles ? began to detect a tripartite model of his artistic development from a French to an Italian, and finally to an English phase. They fleshed out this model with the liberation narrative, the inspiring story of how Chaucer escaped the emasculating French house of bondage to become the generative father of English poetry. Although this division has now largely been dismissed, both the tripartite model and the accompanying liberation narrative persist in Chaucer criticism.In Chaucer?s Queer Poetics, Susan Schibanoff interrogates why the tripartite model remains so tenacious even when literary history does not support it. Revealing deeply rooted Francophobic, homophobic, and nationalistic biases, Schibanoff examines the development paradigm and demonstrates that ?liberated Chaucer? depends on antiquated readings of key source texts for the dream trilogy. This study challenges the long held view the Chaucer fled the prison of effete French court verse to become the ?natural? English father poet and charts a new model of Chaucerian poetic development that discovers the emergence of a queer aesthetic in his work.