Art History : : Its Use and Abuse / / W. McAllister Johnson.

In a discipline forever subject to ad hoc or opportunistic research, where the differences between descriptive, comparative, and intellectual analyses are increasingly blurred, W. McAllister Johnson offers these provocative, 'issues-oriented' essays, an effort to address the intellectual b...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999
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Place / Publishing House:Toronto : : University of Toronto Press, , [2016]
©1990
Year of Publication:2016
Language:English
Online Access:
Physical Description:1 online resource (373 p.)
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Other title:Frontmatter --
Contents --
Preface --
Introduction --
1. Research --
2. Bibliography --
3. Writing --
4. University and Public Life --
5. Cataloguing Theory --
6. Cataloguing Practice --
Notes --
Index
Summary:In a discipline forever subject to ad hoc or opportunistic research, where the differences between descriptive, comparative, and intellectual analyses are increasingly blurred, W. McAllister Johnson offers these provocative, 'issues-oriented' essays, an effort to address the intellectual bases of art history in relation to everyday work. The essays attempt to bridge the gap between theory and practice through common sense and a measure of realism that is sometimes humorous, sometimes brutal. Conversational in tone, the book is intended to stimulate reflection rather than serve as a reference book or manual.Through the constant interweaving of intellectual and art history with practical instructions that address concretely and in detail the realistic needs of students and writers, Johnson speaks to the field itself rather than to its externals. He deals with such different matters as the nature and evolution of the research process, university and public life, bibliography, and cataloguing. These essays discuss major questions that should arise in courses in bibliography, methodology, and historiography, once the survey courses are left behind. Art librarians have previously had little to offer between introductory works or manuals and specialized literature. Yet, beyond what interests one or what can be judged in the light of personal or professional experience, everyone needs a foil that goes beyond immediate needs and forces him or her to reassess method and attitudes. In this book Johnson offers just such an instrument.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781442671034
9783110490947
DOI:10.3138/9781442671034
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: W. McAllister Johnson.