Ariosto Today : : Contemporary Perspectives / / Massimo Ciavolella, Don Beecher, Roberto Fedi.

• Superior document: Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015
• TeilnehmendeR: Beecher, Don,; Ciavolella, Massimo,; Fedi, Roberto,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2016]; ©2003
• Year of Publication: 2016
• Language: English
• Series: Toronto Italian Studies
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Preface --; Introduction /; Ariosto and the Classics in Ferrara /; The Orlando innamorato and the Genesis of the Furioso /; The History of the Furioso /; 'The Nightingale in a Cage': Ariosto and the Este Court /; Ariosto: Landscape Artist /; The Advertising of Fictionality in Orlando furioso /; A Reading of the Interlaced Plot of the Orlando funoso: The Three Cases of Love Madness /; The Lyric Poetry of Ariosto /; The Theatre of Ariosto /; From Poem to Theatre to Cinema: Luca Ronconi's Orlando furioso /; Ariosto and Calvino: The Adventures of a Reader /; Contributors
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442670983; 9783110667691; 9783110490954
• DOI: 10.3138/9781442670983
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Massimo Ciavolella, Don Beecher, Roberto Fedi.

Ludovico Ariosto's Orlando furioso is one of the masterpieces of the Renaissance, a work which, many argue, signalled the apogee of Renaissance fancy on the precipice of irony and decline. This collection of essays brings together twelve noted Italian and American scholars to provide a complete picture of Ariosto and all his works, covering topics such as historical criticism relating to Ariosto's place and time; philological investigations into the varying literary styles of the author, especially outside of the Furioso; Ariosto's extrinsic relationships with other literary traditions; and formal and thematic excavations of the immanent aesthetics of the Furioso.Each essayist acknowledges the fact that Ariosto's creations are charged with allusions and allegiances variously inviting recognition or demanding the status of record. This reading of his works reveals that Ariosto was not a writer who believed, as it was previously thought, that literature is something escapist or fantastic in nature, but one who, in writing and re-writing his works, tried to re-interpret literary tradition while incorporating the new literary instruments that were available to him at the time: Ariosto's literary production is an integration of tradition and invention. This new reading of his work will be essential to any Italianist's library.