Federico Fellini : : Painting in Film, Painting on Film / / Hava Aldouby.
Federico Fellini professed a desire to create "an entire film made of immobile pictures." In this study, Hava Aldouby uses this "ation as a launching point to analyze Fellini's films as sequences of "pictures" that draw extensively on art history, and particularly paint...
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2018] ©2013 |
| Year of Publication: | 2018 |
| Language: | English |
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| Physical Description: | 1 online resource (208 p.) |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Preface
- 1. Fellini, Painting on Film
- 2. Giulietta degli spiriti : Symbolist Virgins Meet Decadent Femmes Fatales in Art Nouveau Interiors
- 3. Toby Dammit : Rembrandt Meets Velázquez on Screen
- 4. Fellini Satyricon : Bruegel Meets Klimt in the Sewers of Imperial Rome
- 5. Fellini's Casanova : Casanova Meets de Chirico on Böcklin's Isle of the Dead
- Conclusion. "A New Hypothesis of the Truth": Painting as Vehicle of the Real in Fellini's Films, 1960s-1970s
- Notes
- Bibliography
- Index