Lorca in Tune with Falla : : Literary and Musical Interludes / / Nelson R. Orringer.
Federico García Lorca (1889-1936) is widely regarded as the greatest Spanish poet of the twentieth century; Manuel de Falla (1876-1946) is Spain's most performed composer of the same period. The two were very different - Lorca was gay, liberal, and a member of the avant garde, while Falla was a...
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| Superior document: | Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015 |
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2013 |
| Year of Publication: | 2016 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource |
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Table of Contents:
- Frontmatter
- Table of Contents
- List of Illustrations and Musical Examples
- Preface
- Acknowledgments
- Musical Glossary
- Introduction: The Intersection of Two Artists' Lives
- 1. Music in the Letters of Lorca before Meeting Falla
- 2. Fantasía Bætica and "Baladilla de los tres ríos": Two Searches for Andalusian Wellsprings
- 3. "Poema de la siguiriya gitana": Return to the Sources of Deep Song
- 4. "Poema de la soleá": Consciousness-Raising of Pain in Lorca and Falla
- 5. "Poema de la saeta": The Oblation of Pain in Seville
- 6. "Gráfico de la Petenera" and Falla's Guitar Elegy to Debussy
- 7. Openness to Death in Flamenco Artists and in Southern Cities
- 8. "Seis caprichos" or Virtuosity and Art at a Distance
- 9. Falla on Deep Song and Lorca's Romancero gitano
- 10. Andalusia's "Cultural Spirit" in Two Trios of Gypsy Ballads
- 11. Lorca's Artistic Tributes to Falla
- Postlude with Coda
- Notes
- Works Consulted
- Index