The Poetics of Imitation in the Italian Theatre of the Renaissance / / Salvatore Di Maria.
The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissanc...
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2017] ©2013 |
Year of Publication: | 2017 |
Language: | English |
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Physical Description: | 1 online resource (256 p.) |
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Di Maria, Salvatore, author. aut http://id.loc.gov/vocabulary/relators/aut The Poetics of Imitation in the Italian Theatre of the Renaissance / Salvatore Di Maria. Toronto : University of Toronto Press, [2017] ©2013 1 online resource (256 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Preface -- Chapter One. Imitation: The Link between Past and Present -- Chapter Two. Machiavelli's Mandragola -- Chapter Three. Clizia: From Stage to Stage -- Chapter Four. Cecchi's Assiuolo: An Apian Imitation -- Chapter Five. Groto's Emilia: Fiction Meets Reality -- Chapter Six. Gli duoi fratelli rivali: Della Porta Adapts Bandello's Prose Narrative to the Stage -- Chapter Seven. Orbecche: Giraldi's Imitation of His Own Prose Narrative -- Chapter Eight. Dolce's Marianna: From History to the Stage -- Conclusion -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations - incuding Machiavelli's Mandragola and Clizia, Cecchi's Assiuolo, Groto's Emilia, and Dolce's Marianna - and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely.DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) Classical drama Influence. Imitation in literature. Italian drama To 1700 History and criticism. DISCOUNT-B. DRAMA / Ancient & Classical. bisacsh print 9781442647121 https://doi.org/10.3138/9781442667334 https://www.degruyter.com/isbn/9781442667334 Cover https://www.degruyter.com/cover/covers/9781442667334.jpg |
language |
English |
format |
eBook |
author |
Di Maria, Salvatore, Di Maria, Salvatore, |
spellingShingle |
Di Maria, Salvatore, Di Maria, Salvatore, The Poetics of Imitation in the Italian Theatre of the Renaissance / Frontmatter -- Contents -- Preface -- Chapter One. Imitation: The Link between Past and Present -- Chapter Two. Machiavelli's Mandragola -- Chapter Three. Clizia: From Stage to Stage -- Chapter Four. Cecchi's Assiuolo: An Apian Imitation -- Chapter Five. Groto's Emilia: Fiction Meets Reality -- Chapter Six. Gli duoi fratelli rivali: Della Porta Adapts Bandello's Prose Narrative to the Stage -- Chapter Seven. Orbecche: Giraldi's Imitation of His Own Prose Narrative -- Chapter Eight. Dolce's Marianna: From History to the Stage -- Conclusion -- Notes -- Bibliography -- Index |
author_facet |
Di Maria, Salvatore, Di Maria, Salvatore, |
author_variant |
m s d ms msd m s d ms msd |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Di Maria, Salvatore, |
title |
The Poetics of Imitation in the Italian Theatre of the Renaissance / |
title_full |
The Poetics of Imitation in the Italian Theatre of the Renaissance / Salvatore Di Maria. |
title_fullStr |
The Poetics of Imitation in the Italian Theatre of the Renaissance / Salvatore Di Maria. |
title_full_unstemmed |
The Poetics of Imitation in the Italian Theatre of the Renaissance / Salvatore Di Maria. |
title_auth |
The Poetics of Imitation in the Italian Theatre of the Renaissance / |
title_alt |
Frontmatter -- Contents -- Preface -- Chapter One. Imitation: The Link between Past and Present -- Chapter Two. Machiavelli's Mandragola -- Chapter Three. Clizia: From Stage to Stage -- Chapter Four. Cecchi's Assiuolo: An Apian Imitation -- Chapter Five. Groto's Emilia: Fiction Meets Reality -- Chapter Six. Gli duoi fratelli rivali: Della Porta Adapts Bandello's Prose Narrative to the Stage -- Chapter Seven. Orbecche: Giraldi's Imitation of His Own Prose Narrative -- Chapter Eight. Dolce's Marianna: From History to the Stage -- Conclusion -- Notes -- Bibliography -- Index |
title_new |
The Poetics of Imitation in the Italian Theatre of the Renaissance / |
title_sort |
the poetics of imitation in the italian theatre of the renaissance / |
publisher |
University of Toronto Press, |
publishDate |
2017 |
physical |
1 online resource (256 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- Preface -- Chapter One. Imitation: The Link between Past and Present -- Chapter Two. Machiavelli's Mandragola -- Chapter Three. Clizia: From Stage to Stage -- Chapter Four. Cecchi's Assiuolo: An Apian Imitation -- Chapter Five. Groto's Emilia: Fiction Meets Reality -- Chapter Six. Gli duoi fratelli rivali: Della Porta Adapts Bandello's Prose Narrative to the Stage -- Chapter Seven. Orbecche: Giraldi's Imitation of His Own Prose Narrative -- Chapter Eight. Dolce's Marianna: From History to the Stage -- Conclusion -- Notes -- Bibliography -- Index |
isbn |
9781442667334 9781442647121 |
era_facet |
To 1700 |
url |
https://doi.org/10.3138/9781442667334 https://www.degruyter.com/isbn/9781442667334 https://www.degruyter.com/cover/covers/9781442667334.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
850 - Italian, Romanian & related literatures |
dewey-ones |
852 - Italian drama |
dewey-full |
852/.409 |
dewey-sort |
3852 3409 |
dewey-raw |
852/.409 |
dewey-search |
852/.409 |
doi_str_mv |
10.3138/9781442667334 |
oclc_num |
1004883581 |
work_keys_str_mv |
AT dimariasalvatore thepoeticsofimitationintheitaliantheatreoftherenaissance AT dimariasalvatore poeticsofimitationintheitaliantheatreoftherenaissance |
status_str |
n |
ids_txt_mv |
(DE-B1597)483167 (OCoLC)1004883581 |
carrierType_str_mv |
cr |
is_hierarchy_title |
The Poetics of Imitation in the Italian Theatre of the Renaissance / |
_version_ |
1806143688274870272 |
fullrecord |
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