Dynamic Fair Dealing : : Creating Canadian Culture Online / / Rosemary Coombe, Darren Wershler, Martin Zeilinger.

• Superior document: Title is part of eBook package: De Gruyter University of Toronto Press Pilot 2014-2015
• VerfasserIn: Coombe, Rosemary,; Wershler, Darren ,; Zeilinger, Martin,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2018]; ©2014
• Year of Publication: 2018
• Language: English
• Physical Description: 1 online resource (456 p.) :; 2 figures
• Other title: Frontmatter --; Contents --; Introducing Dynamic Fair Dealing: Creating Canadian Digital Culture --; 1 Copyright and Freedom of Expression: Fair Dealing between Work and Play --; 2 From the Right to Copy to Practices of Copying --; 3 The Canadian Public Domain: What, Where, and to What End? --; 4 Dynamic Fair Dealing with Orphan Works: Lessons from "Real" Property --; 5 Publicly Funded, Then Locked Away: The Work of the Canadian Broadcasting Corporation --; 6 Resisting Enclosure: Licences, Authorship, and the Commons --; 7 Weaving an Open Web: Innovation and Ethics in the Virtual Commons --; 8 "This Content Is Not Available in Your Region": Geoblocking Culture in Canada --; 9 Net Neutrality and the Threat to Open Cultural Expression --; 10 Copyright and Access to Media for People with Perceptual Disabilities --; 11 If You're Asking, It's Not Fair Dealing: Animating Canadian Copyright Issues in a "Read-Write" Classroom --; 12 Hacking Education: How Openness and Sharing Can Transform Learning --; 13 Open Access Publishing and Academic Research --; 14 Open Access Mandates and the Fair Dealing Button --; 15 The Evolution of Cultural Heritage Ethics via Human Rights Norms --; 16 Indigenous Cultural Heritage in the Age of Technological Reproducibility: Towards a Postcolonial Ethic of the Public Domain --; 17 Cultural Diversity: A Central Dimension of Canadian Cultural Heritage? --; 18 Parodists' Rights and Copyright in a Digital Canada --; 19 Robin Hood of the Avant-Garde --; 20 Remixing bpNichol: Direct Dealing and Recombinatory Art Practices --; 21 Copyright Dramas: Theatre Archives and Collections Online --; 22 Streaming a Digital Scream: Archiving Toronto's Barbaric Yawp --; 23 The NFB, Canada's Experimental Documentary Tradition, and Found Futures --; 24 Chipmusic, Out of Tune: Crystal Castles and the Misappropriation of Creative Commons-Licensed Music --; 25 "My Real'll Make Yours a Rental": Hip Hop and Canadian Copyright --; 26 Friction over Fan Fiction --; 27 Child-Generated Content: Children's Authorship and Interpretive Practices in Digital Gaming Cultures --; Deal with It --; Pull Up the Stakes and Fill in the Ditches --; References --; Acknowledgments --; Contributors --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442665613; 9783110606812
• DOI: 10.3138/9781442665613
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Rosemary Coombe, Darren Wershler, Martin Zeilinger.

Dynamic Fair Dealing argues that only a dynamic, flexible, and equitable approach to cultural ownership can accommodate the astonishing range of ways that we create, circulate, manage, attribute, and make use of digital cultural objects.The Canadian legal tradition strives to balance the rights of copyright holders with public needs to engage with copyright protected material, but there is now a substantial gap between what people actually do with cultural forms and how the law understands those practices. Digital technologies continue to shape new forms of cultural production, circulation, and distribution that challenge both the practicality and the desirability of Canada's fair dealing provisions.Dynamic Fair Dealing presents a range of insightful and provocative essays that rethink our relationship to Canadian fair dealing policy. With contributions from scholars, activists, and artists from across disciplines, professions, and creative practices, this book explores the extent to which copyright has expanded into every facet of society and reveals how our capacities to actually deal fairly with cultural goods has suffered in the process. In order to drive conversations about the cultural worlds Canadians imagine, and the policy reforms we need to realize these visions, we need Dynamic Fair Dealing.