Film Narratology / / Peter Verstraten.

Most modern studies of narrative tend to focus predominantly on literature with only some reference to film. In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-...

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Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
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MitwirkendeR:
Place / Publishing House:Toronto : : University of Toronto Press, , [2022]
©2009
Year of Publication:2022
Language:English
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Physical Description:1 online resource (248 p.)
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id 9781442665576
ctrlnum (DE-B1597)626582
collection bib_alma
record_format marc
spelling Verstraten, Peter, author. aut http://id.loc.gov/vocabulary/relators/aut
Film Narratology / Peter Verstraten.
Toronto : University of Toronto Press, [2022]
©2009
1 online resource (248 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1 Is Cinema Essentially Narrative? -- 2 Basic Principles of Narratology -- 3 The Narrative Impact of the Mise en Scène -- 4 The Narrative Impact of Cinematography -- 5 Story and Fabula Disconnected through Editing -- 6 The Visual Narrator and Visual Focalization -- 7 Tension between the Visual and Auditive Narrators -- 8 Sound as a Narrative Force -- 9 The Narrative Principles of Genres -- 10 Filmic Excess: When Style Drowns the Plot -- Appendix: The Virgin Suicides as a Test Case -- Notes -- Bibliography -- Illustration Credits -- Index of Concepts -- Index of Names and Titles
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Most modern studies of narrative tend to focus predominantly on literature with only some reference to film. In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scène, cinematography, and editing.Reworking the definitive theory of narration offeredby literary scholar Mieke Bal, Film Narratology examines cinematic techniques such as external and internal narration, visual and auditive focalization, the narrative force of sound, and the ambiguities caused by voice-overs and flashbacks. Verstraten illustrates these narrative principles with a broad range of examples drawn from avant-garde cinema, golden age Hollywood, blockbusters, and European art cinema. Insightful and comprehensive, Film Narratology will surely become the standard reference of cinematic narration for film students and scholars.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022)
Motion pictures History.
Motion pictures.
Narration (Rhetoric).
PERFORMING ARTS / Film & Video / Screenwriting. bisacsh
Van der Lecq, Stefan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 9783110490954
https://doi.org/10.3138/9781442665576
https://www.degruyter.com/isbn/9781442665576
Cover https://www.degruyter.com/document/cover/isbn/9781442665576/original
language English
format eBook
author Verstraten, Peter,
Verstraten, Peter,
spellingShingle Verstraten, Peter,
Verstraten, Peter,
Film Narratology /
Frontmatter --
Contents --
List of Illustrations --
Acknowledgments --
Introduction --
1 Is Cinema Essentially Narrative? --
2 Basic Principles of Narratology --
3 The Narrative Impact of the Mise en Scène --
4 The Narrative Impact of Cinematography --
5 Story and Fabula Disconnected through Editing --
6 The Visual Narrator and Visual Focalization --
7 Tension between the Visual and Auditive Narrators --
8 Sound as a Narrative Force --
9 The Narrative Principles of Genres --
10 Filmic Excess: When Style Drowns the Plot --
Appendix: The Virgin Suicides as a Test Case --
Notes --
Bibliography --
Illustration Credits --
Index of Concepts --
Index of Names and Titles
author_facet Verstraten, Peter,
Verstraten, Peter,
Van der Lecq, Stefan,
Van der Lecq, Stefan,
author_variant p v pv
p v pv
author_role VerfasserIn
VerfasserIn
author2 Van der Lecq, Stefan,
Van der Lecq, Stefan,
author2_variant d l s v dls dlsv
d l s v dls dlsv
author2_role MitwirkendeR
MitwirkendeR
author_sort Verstraten, Peter,
title Film Narratology /
title_full Film Narratology / Peter Verstraten.
title_fullStr Film Narratology / Peter Verstraten.
title_full_unstemmed Film Narratology / Peter Verstraten.
title_auth Film Narratology /
title_alt Frontmatter --
Contents --
List of Illustrations --
Acknowledgments --
Introduction --
1 Is Cinema Essentially Narrative? --
2 Basic Principles of Narratology --
3 The Narrative Impact of the Mise en Scène --
4 The Narrative Impact of Cinematography --
5 Story and Fabula Disconnected through Editing --
6 The Visual Narrator and Visual Focalization --
7 Tension between the Visual and Auditive Narrators --
8 Sound as a Narrative Force --
9 The Narrative Principles of Genres --
10 Filmic Excess: When Style Drowns the Plot --
Appendix: The Virgin Suicides as a Test Case --
Notes --
Bibliography --
Illustration Credits --
Index of Concepts --
Index of Names and Titles
title_new Film Narratology /
title_sort film narratology /
publisher University of Toronto Press,
publishDate 2022
physical 1 online resource (248 p.)
contents Frontmatter --
Contents --
List of Illustrations --
Acknowledgments --
Introduction --
1 Is Cinema Essentially Narrative? --
2 Basic Principles of Narratology --
3 The Narrative Impact of the Mise en Scène --
4 The Narrative Impact of Cinematography --
5 Story and Fabula Disconnected through Editing --
6 The Visual Narrator and Visual Focalization --
7 Tension between the Visual and Auditive Narrators --
8 Sound as a Narrative Force --
9 The Narrative Principles of Genres --
10 Filmic Excess: When Style Drowns the Plot --
Appendix: The Virgin Suicides as a Test Case --
Notes --
Bibliography --
Illustration Credits --
Index of Concepts --
Index of Names and Titles
isbn 9781442665576
9783110490954
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1995
callnumber-sort PN 41995 V42613 42009
url https://doi.org/10.3138/9781442665576
https://www.degruyter.com/isbn/9781442665576
https://www.degruyter.com/document/cover/isbn/9781442665576/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.43/6
dewey-sort 3791.43 16
dewey-raw 791.43/6
dewey-search 791.43/6
doi_str_mv 10.3138/9781442665576
work_keys_str_mv AT verstratenpeter filmnarratology
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ids_txt_mv (DE-B1597)626582
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hierarchy_parent_title Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
is_hierarchy_title Film Narratology /
container_title Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
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