Film Narratology / / Peter Verstraten.
Most modern studies of narrative tend to focus predominantly on literature with only some reference to film. In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
---|---|
VerfasserIn: | |
MitwirkendeR: | |
Place / Publishing House: | Toronto : : University of Toronto Press, , [2022] ©2009 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (248 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781442665576 |
---|---|
ctrlnum |
(DE-B1597)626582 |
collection |
bib_alma |
record_format |
marc |
spelling |
Verstraten, Peter, author. aut http://id.loc.gov/vocabulary/relators/aut Film Narratology / Peter Verstraten. Toronto : University of Toronto Press, [2022] ©2009 1 online resource (248 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1 Is Cinema Essentially Narrative? -- 2 Basic Principles of Narratology -- 3 The Narrative Impact of the Mise en Scène -- 4 The Narrative Impact of Cinematography -- 5 Story and Fabula Disconnected through Editing -- 6 The Visual Narrator and Visual Focalization -- 7 Tension between the Visual and Auditive Narrators -- 8 Sound as a Narrative Force -- 9 The Narrative Principles of Genres -- 10 Filmic Excess: When Style Drowns the Plot -- Appendix: The Virgin Suicides as a Test Case -- Notes -- Bibliography -- Illustration Credits -- Index of Concepts -- Index of Names and Titles restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Most modern studies of narrative tend to focus predominantly on literature with only some reference to film. In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scène, cinematography, and editing.Reworking the definitive theory of narration offeredby literary scholar Mieke Bal, Film Narratology examines cinematic techniques such as external and internal narration, visual and auditive focalization, the narrative force of sound, and the ambiguities caused by voice-overs and flashbacks. Verstraten illustrates these narrative principles with a broad range of examples drawn from avant-garde cinema, golden age Hollywood, blockbusters, and European art cinema. Insightful and comprehensive, Film Narratology will surely become the standard reference of cinematic narration for film students and scholars. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) Motion pictures History. Motion pictures. Narration (Rhetoric). PERFORMING ARTS / Film & Video / Screenwriting. bisacsh Van der Lecq, Stefan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 9783110490954 https://doi.org/10.3138/9781442665576 https://www.degruyter.com/isbn/9781442665576 Cover https://www.degruyter.com/document/cover/isbn/9781442665576/original |
language |
English |
format |
eBook |
author |
Verstraten, Peter, Verstraten, Peter, |
spellingShingle |
Verstraten, Peter, Verstraten, Peter, Film Narratology / Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1 Is Cinema Essentially Narrative? -- 2 Basic Principles of Narratology -- 3 The Narrative Impact of the Mise en Scène -- 4 The Narrative Impact of Cinematography -- 5 Story and Fabula Disconnected through Editing -- 6 The Visual Narrator and Visual Focalization -- 7 Tension between the Visual and Auditive Narrators -- 8 Sound as a Narrative Force -- 9 The Narrative Principles of Genres -- 10 Filmic Excess: When Style Drowns the Plot -- Appendix: The Virgin Suicides as a Test Case -- Notes -- Bibliography -- Illustration Credits -- Index of Concepts -- Index of Names and Titles |
author_facet |
Verstraten, Peter, Verstraten, Peter, Van der Lecq, Stefan, Van der Lecq, Stefan, |
author_variant |
p v pv p v pv |
author_role |
VerfasserIn VerfasserIn |
author2 |
Van der Lecq, Stefan, Van der Lecq, Stefan, |
author2_variant |
d l s v dls dlsv d l s v dls dlsv |
author2_role |
MitwirkendeR MitwirkendeR |
author_sort |
Verstraten, Peter, |
title |
Film Narratology / |
title_full |
Film Narratology / Peter Verstraten. |
title_fullStr |
Film Narratology / Peter Verstraten. |
title_full_unstemmed |
Film Narratology / Peter Verstraten. |
title_auth |
Film Narratology / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1 Is Cinema Essentially Narrative? -- 2 Basic Principles of Narratology -- 3 The Narrative Impact of the Mise en Scène -- 4 The Narrative Impact of Cinematography -- 5 Story and Fabula Disconnected through Editing -- 6 The Visual Narrator and Visual Focalization -- 7 Tension between the Visual and Auditive Narrators -- 8 Sound as a Narrative Force -- 9 The Narrative Principles of Genres -- 10 Filmic Excess: When Style Drowns the Plot -- Appendix: The Virgin Suicides as a Test Case -- Notes -- Bibliography -- Illustration Credits -- Index of Concepts -- Index of Names and Titles |
title_new |
Film Narratology / |
title_sort |
film narratology / |
publisher |
University of Toronto Press, |
publishDate |
2022 |
physical |
1 online resource (248 p.) |
contents |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1 Is Cinema Essentially Narrative? -- 2 Basic Principles of Narratology -- 3 The Narrative Impact of the Mise en Scène -- 4 The Narrative Impact of Cinematography -- 5 Story and Fabula Disconnected through Editing -- 6 The Visual Narrator and Visual Focalization -- 7 Tension between the Visual and Auditive Narrators -- 8 Sound as a Narrative Force -- 9 The Narrative Principles of Genres -- 10 Filmic Excess: When Style Drowns the Plot -- Appendix: The Virgin Suicides as a Test Case -- Notes -- Bibliography -- Illustration Credits -- Index of Concepts -- Index of Names and Titles |
isbn |
9781442665576 9783110490954 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995 V42613 42009 |
url |
https://doi.org/10.3138/9781442665576 https://www.degruyter.com/isbn/9781442665576 https://www.degruyter.com/document/cover/isbn/9781442665576/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/6 |
dewey-sort |
3791.43 16 |
dewey-raw |
791.43/6 |
dewey-search |
791.43/6 |
doi_str_mv |
10.3138/9781442665576 |
work_keys_str_mv |
AT verstratenpeter filmnarratology AT vanderlecqstefan filmnarratology |
status_str |
n |
ids_txt_mv |
(DE-B1597)626582 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Film Narratology / |
container_title |
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
author2_original_writing_str_mv |
noLinkedField noLinkedField |
_version_ |
1770176788716060672 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04100nam a22006735i 4500</leader><controlfield tag="001">9781442665576</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220729113935.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220729t20222009onc fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781442665576</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3138/9781442665576</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)626582</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">onc</subfield><subfield code="c">CA-ON</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995</subfield><subfield code="b">.V42613 2009</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004050</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43/6</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Verstraten, Peter, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Film Narratology /</subfield><subfield code="c">Peter Verstraten.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto : </subfield><subfield code="b">University of Toronto Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (248 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">List of Illustrations -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">1 Is Cinema Essentially Narrative? -- </subfield><subfield code="t">2 Basic Principles of Narratology -- </subfield><subfield code="t">3 The Narrative Impact of the Mise en Scène -- </subfield><subfield code="t">4 The Narrative Impact of Cinematography -- </subfield><subfield code="t">5 Story and Fabula Disconnected through Editing -- </subfield><subfield code="t">6 The Visual Narrator and Visual Focalization -- </subfield><subfield code="t">7 Tension between the Visual and Auditive Narrators -- </subfield><subfield code="t">8 Sound as a Narrative Force -- </subfield><subfield code="t">9 The Narrative Principles of Genres -- </subfield><subfield code="t">10 Filmic Excess: When Style Drowns the Plot -- </subfield><subfield code="t">Appendix: The Virgin Suicides as a Test Case -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Illustration Credits -- </subfield><subfield code="t">Index of Concepts -- </subfield><subfield code="t">Index of Names and Titles</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Most modern studies of narrative tend to focus predominantly on literature with only some reference to film. In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scène, cinematography, and editing.Reworking the definitive theory of narration offeredby literary scholar Mieke Bal, Film Narratology examines cinematic techniques such as external and internal narration, visual and auditive focalization, the narrative force of sound, and the ambiguities caused by voice-overs and flashbacks. Verstraten illustrates these narrative principles with a broad range of examples drawn from avant-garde cinema, golden age Hollywood, blockbusters, and European art cinema. Insightful and comprehensive, Film Narratology will surely become the standard reference of cinematic narration for film students and scholars.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Narration (Rhetoric).</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Screenwriting.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Van der Lecq, Stefan, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">University of Toronto Press eBook-Package Backlist 2000-2013</subfield><subfield code="z">9783110490954</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.3138/9781442665576</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781442665576</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781442665576/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-049095-4 University of Toronto Press eBook-Package Backlist 2000-2013</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |