Earthquakes and Explorations : : Language and Painting from Cubism to Concrete Poetry / / Stephen Scobie.
Like the earthquakes and explorations depicted on the covers of Gertrude Stein's notebooks, this study responds to artistic and linguistic fault lines and charts new territories. The author's concern is both with a general theoretical question - the relationship between painting and poetry...
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Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©1997 |
Year of Publication: | 2016 |
Language: | English |
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Physical Description: | 1 online resource (288 p.) |
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Scobie, Stephen, author. aut http://id.loc.gov/vocabulary/relators/aut Earthquakes and Explorations : Language and Painting from Cubism to Concrete Poetry / Stephen Scobie. Toronto : University of Toronto Press, [2016] ©1997 1 online resource (288 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Preface -- Acknowledgments -- 1. The Supplement of Language -- 2. ‘We Are a Man’: The Narrativization of Painting -- 3. Apollinaire and the Naming of Cubism -- 4. The Gospel According to Kahnweiler -- 5. The Semiotics of Cubism -- 6. Metaphor and Metonymy in Cubism and Gertrude Stein -- 7. The Window Frame: Delaunay and Apollinaire -- Entr’acte: Signs Of The Times -- 8. Gadji Beri Bimba: Abstraction In Poetry -- 9. Models Of Order: Ian Hamilton Finlay -- Notes -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Like the earthquakes and explorations depicted on the covers of Gertrude Stein's notebooks, this study responds to artistic and linguistic fault lines and charts new territories. The author's concern is both with a general theoretical question - the relationship between painting and poetry, between the visual and the verbal - and with a specific period of artistic history - the early years of the twentieth century, when Cubism flourished. Rather than seeing any conflict or irreconcilable division between painting and poetry, Scobie proposes, as a model for their relation, the Derridean notion of 'the supplement.' This relation is grounded in the pervasiveness of language, in the ways in which language surrounds, imbues, structures, and supplements both verbal and non-verbal images.Working from the double focus of theory and history, this book does not attempt to develop a consecutive argument, but rather navigates around its topics, adopting a slightly different approach in each chapter. It begins with a general theoretical discussion of the role of language in painting and in art history, then moves to a series of specific discussions of aspects of Cubism, considering the paintings of Georges Braque, and the writings of Gertrude Stein and Guillaume Apollinaire. It concludes with an examination of the experimental form of concrete poetry, including sound and visual poetry, especially the Cubist-influenced work of Ian Hamilton Finlay. Earthquakes and Explorations will interest those studying art history, literary criticism, and critical theory. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Art and literature. Concrete poetry History and criticism. Cubism and literature. Painting, Modern 20th century. LITERARY CRITICISM / Semiotics & Theory. bisacsh Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 9783110490947 https://doi.org/10.3138/9781442664869 https://www.degruyter.com/isbn/9781442664869 Cover https://www.degruyter.com/cover/covers/9781442664869.jpg |
language |
English |
format |
eBook |
author |
Scobie, Stephen, Scobie, Stephen, |
spellingShingle |
Scobie, Stephen, Scobie, Stephen, Earthquakes and Explorations : Language and Painting from Cubism to Concrete Poetry / Frontmatter -- Contents -- Preface -- Acknowledgments -- 1. The Supplement of Language -- 2. ‘We Are a Man’: The Narrativization of Painting -- 3. Apollinaire and the Naming of Cubism -- 4. The Gospel According to Kahnweiler -- 5. The Semiotics of Cubism -- 6. Metaphor and Metonymy in Cubism and Gertrude Stein -- 7. The Window Frame: Delaunay and Apollinaire -- Entr’acte: Signs Of The Times -- 8. Gadji Beri Bimba: Abstraction In Poetry -- 9. Models Of Order: Ian Hamilton Finlay -- Notes -- Works Cited -- Index |
author_facet |
Scobie, Stephen, Scobie, Stephen, |
author_variant |
s s ss s s ss |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Scobie, Stephen, |
title |
Earthquakes and Explorations : Language and Painting from Cubism to Concrete Poetry / |
title_sub |
Language and Painting from Cubism to Concrete Poetry / |
title_full |
Earthquakes and Explorations : Language and Painting from Cubism to Concrete Poetry / Stephen Scobie. |
title_fullStr |
Earthquakes and Explorations : Language and Painting from Cubism to Concrete Poetry / Stephen Scobie. |
title_full_unstemmed |
Earthquakes and Explorations : Language and Painting from Cubism to Concrete Poetry / Stephen Scobie. |
title_auth |
Earthquakes and Explorations : Language and Painting from Cubism to Concrete Poetry / |
title_alt |
Frontmatter -- Contents -- Preface -- Acknowledgments -- 1. The Supplement of Language -- 2. ‘We Are a Man’: The Narrativization of Painting -- 3. Apollinaire and the Naming of Cubism -- 4. The Gospel According to Kahnweiler -- 5. The Semiotics of Cubism -- 6. Metaphor and Metonymy in Cubism and Gertrude Stein -- 7. The Window Frame: Delaunay and Apollinaire -- Entr’acte: Signs Of The Times -- 8. Gadji Beri Bimba: Abstraction In Poetry -- 9. Models Of Order: Ian Hamilton Finlay -- Notes -- Works Cited -- Index |
title_new |
Earthquakes and Explorations : |
title_sort |
earthquakes and explorations : language and painting from cubism to concrete poetry / |
publisher |
University of Toronto Press, |
publishDate |
2016 |
physical |
1 online resource (288 p.) |
contents |
Frontmatter -- Contents -- Preface -- Acknowledgments -- 1. The Supplement of Language -- 2. ‘We Are a Man’: The Narrativization of Painting -- 3. Apollinaire and the Naming of Cubism -- 4. The Gospel According to Kahnweiler -- 5. The Semiotics of Cubism -- 6. Metaphor and Metonymy in Cubism and Gertrude Stein -- 7. The Window Frame: Delaunay and Apollinaire -- Entr’acte: Signs Of The Times -- 8. Gadji Beri Bimba: Abstraction In Poetry -- 9. Models Of Order: Ian Hamilton Finlay -- Notes -- Works Cited -- Index |
isbn |
9781442664869 9783110490947 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN53 |
callnumber-sort |
PN 253 |
era_facet |
20th century. |
url |
https://doi.org/10.3138/9781442664869 https://www.degruyter.com/isbn/9781442664869 https://www.degruyter.com/cover/covers/9781442664869.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
750 - Painting |
dewey-ones |
759 - Historical, geographic & persons treatment |
dewey-full |
759.06/32 |
dewey-sort |
3759.06 232 |
dewey-raw |
759.06/32 |
dewey-search |
759.06/32 |
doi_str_mv |
10.3138/9781442664869 |
oclc_num |
944178595 |
work_keys_str_mv |
AT scobiestephen earthquakesandexplorationslanguageandpaintingfromcubismtoconcretepoetry |
status_str |
n |
ids_txt_mv |
(DE-B1597)465431 (OCoLC)944178595 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
is_hierarchy_title |
Earthquakes and Explorations : Language and Painting from Cubism to Concrete Poetry / |
container_title |
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
_version_ |
1770176788599668736 |
fullrecord |
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