Wooden Os : : Shakespeare's Theatres and England's Trees / / Vin Nardizzi.

• VerfasserIn: Nardizzi, Vin,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2019]; ©2013
• Year of Publication: 2019
• Language: English
• Physical Description: 1 online resource (224 p.)
• Other title: Frontmatter --; Contents --; Illustrations --; Acknowledgments --; Prologue: Evergreen Fantasies: Utopia's Trees and Early Modern Theatre --; Introduction: Wood, Timber, and Theatre in Early Modern England --; 1. "Vanish the tree": Friar Bacon and Friar Bungay at the Rose --; 2. "Come, will this wood take fire?" The Merry Wives of Windsor in Shakespeare's Theatres --; 3. "Down with these branches and these loathsome boughs / Of this unfortunate and fatal pine": The Composite Spanish Tragedy at the Fortune --; 4. "There's wood enough within": The Tempest's Logs and the Resources of Shakespeare's Globe --; Epilogue: The Afterlives of the Globe --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442664173
• DOI: 10.3138/9781442664173
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Vin Nardizzi.

Wooden Os is a study of the presence of trees and wood in the drama of Shakespeare and his contemporaries - in plays set within forests, in character dialogue, and in props and theatre constructions. Vin Nardizzi connects these themes to the dependence, and surprising ecological impact, of London's commercial theatre industry on England's woodlands, the primary resource required to build all structures in early modern England.Wooden Os situates the theatre within an environmental history that witnessed a perceived scarcity of wood and timber that drove up prices, as well as statute law prohibiting the devastation of English woodlands and urgent calls for the remedying of a resource shortage that was feared would result in eco-political collapse. By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the "trees" within them were used in imaginative ways to mediate England's resource crisis.