Carol Shields and the Writer-Critic / / Brenda Beckman-Long.
Throughout her literary and critical career, Canadian writer Carol Shields (1935-2003) resisted simple categorization. Her novels are elegant puzzles that confront the reader with the ambiguity of meaning and narrative, yet their position within Shields' critical feminist project has, until now...
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| Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press Complete eBook-Package 2014-2015 |
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2018] ©2015 |
| Year of Publication: | 2018 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (176 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- Permissions
- Introduction: Shields as Writer-Critic: Autobiography and the Politics of Self-Representation
- Chapter One: The Problem of the Genre: The Autobiographical Pact in Small Ceremonies and The Box Garden
- Chapter Two: The Problem of the Author: Absence and the Epitaph of Victim in Swann
- Chapter Three: The Problem of the Body: Romance as Metaphysical Ruin in The Republic of Love
- Chapter Four: The Problem of the Subject: The Stone Diaries as an Apocryphal Journal
- Chapter Five: The Problem of the Subject of Feminism: Unless as Meta-Autobiography
- Conclusion
- Notes
- Bibliography
- Index