Mock Modernism : : An Anthology of Parodies, Travesties, Frauds, 1910-1935 / / Leonard Diepeveen.
How was the modernist movement understood by the general public when it was first emerging? This question can be addressed by looking at how modernist literature and art were interpreted by journalists in daily newspapers, mainstream magazines like Punch and Vanity Fair, and literary magazines. In t...
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2017] ©2013 |
Year of Publication: | 2017 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (448 p.) |
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001 | 9781442661790 | ||
003 | DE-B1597 | ||
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020 | |a 9781442661790 | ||
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100 | 1 | |a Diepeveen, Leonard, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Mock Modernism : |b An Anthology of Parodies, Travesties, Frauds, 1910-1935 / |c Leonard Diepeveen. |
264 | 1 | |a Toronto : |b University of Toronto Press, |c [2017] | |
264 | 4 | |c ©2013 | |
300 | |a 1 online resource (448 p.) | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction -- |t PART I. Literary Targets -- |t I. Poetry -- |t II. Fiction -- |t PART II. Parodic Modes -- |t I. Verse Commentary -- |t II. Manifestos -- |t III. Modernist Methodologies -- |t IV. Modernist Criticism -- |t V. Modernist Performances -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a How was the modernist movement understood by the general public when it was first emerging? This question can be addressed by looking at how modernist literature and art were interpreted by journalists in daily newspapers, mainstream magazines like Punch and Vanity Fair, and literary magazines. In the earliest decades of the movement - before modernist artists were considered important, and before modernism's meaning was clearly understood - many of these interpretations took the form of parodies.Mock Modernism is an anthology of these amusing pieces, the overwhelming majority of which have not been in print since the first decades of the twentieth century. They include Max Beerbohm's send-up of Henry James; J.C. Squire's account of how a poet, writing deliberately incomprehensible poetry as a hoax, became the poet laureate of the British Bolshevist Revolution; and the Chicago Record-Herald's account of some art students' "trial" of Henri Matisse for "crimes against anatomy." An introduction and headnotes by Leonard Diepeveen highlight the usefulness of these pieces for comprehending media and public perceptions of a form of art that would later develop an almost unassailable power. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) | |
650 | 0 | |a Modernism (Art) |x Press coverage. | |
650 | 0 | |a Modernism (Art) |x Public opinion. | |
650 | 0 | |a Modernism (Literature) |x Press coverage. | |
650 | 0 | |a Modernism (Literature) |x Public opinion. | |
650 | 4 | |a DISCOUNT-B. | |
650 | 7 | |a ART / History / Modern (late 19th Century to 1945). |2 bisacsh | |
776 | 0 | |c print |z 9781442644823 | |
856 | 4 | 0 | |u https://doi.org/10.3138/9781442661790 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781442661790 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/cover/covers/9781442661790.jpg |
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