Reading Modern Drama / / ed. by Alan Ackerman.
Exploring the relationship between dramatic language and its theatrical aspects, Reading Modern Drama provides an accessible entry point for general readers and academics into the world of contemporary theatre scholarship. This collection promotes the use of diverse perspectives and critical methods...
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2017] ©2012 |
| Year of Publication: | 2017 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (320 p.) :; 8 b&w illustrations |
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9781442661486 |
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Reading Modern Drama / ed. by Alan Ackerman. Toronto : University of Toronto Press, [2017] ©2012 1 online resource (320 p.) : 8 b&w illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Gossip Girls: Lady Teazle, Nora Helmer, and Invisible-Hand Drama -- 2. "Vinløv i håret": The Relationship between Women, Language, and Power in Ibsen's Hedda Gabler -- 3. "¡Silencio, he dicho!" Space, Language, and Characterization as Agents of Social Protest in Lorca's Rural Tragedies -- 4. The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog -- 5. The Space Stage and the Circus: E.E. Cummings's Him and Frederick Kiesler's Raumbühne -- 6. How to Do Nothing with Words, or Waiting for Godot as Performativity -- 7. Reinventing Beckett -- 8. Uncloseting Drama: Gertrude Stein and the Wooster Group -- 9. Synge's Playboy and the Eugenics of Language -- 10. The Pillowman and the Ethics of Allegory -- 11. Cognitive Catharsis in The Caucasian Chalk Circle -- 12. Jane Harrison and the Savage Dionysus: Archaeological Voyages, Ritual Origins, Anthropology, and the Modern Theatre -- Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Exploring the relationship between dramatic language and its theatrical aspects, Reading Modern Drama provides an accessible entry point for general readers and academics into the world of contemporary theatre scholarship. This collection promotes the use of diverse perspectives and critical methods to explore the common theme of language as well as the continued relevance of modern drama in our lives.Reading Modern Drama offers provocative close readings of both canonical and lesser-known plays, from Hedda Gabler to e.e. cummings' Him. Taken together, these essays enter into an ongoing, fruitful debate about the terms 'modern' and 'drama' and build a much-needed bridge between literary studies and performance studies. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) Drama 19th century History and criticism. Drama 20th century History and criticism. DISCOUNT-A. PERFORMING ARTS / Theater / General. bisacsh Ackerman, Alan , editor. edt http://id.loc.gov/vocabulary/relators/edt Ackerman, Alan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Begam, Richard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Blum, Bilha, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Carruth, Allison, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Crawford, Nicholas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gobert, R. Darren, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gontarski, S. E., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Peters, Julie Stone, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Roach, Joseph, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Salvato, Nick, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Thresher, Tanya, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tucker-Abramson, Myka, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Worthen, Hana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Worthen, W. B., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb print 9781442612815 https://doi.org/10.3138/9781442661486 https://www.degruyter.com/isbn/9781442661486 Cover https://www.degruyter.com/cover/covers/9781442661486.jpg |
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English |
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Ackerman, Alan , Ackerman, Alan , Ackerman, Alan, Ackerman, Alan, Begam, Richard, Begam, Richard, Blum, Bilha, Blum, Bilha, Carruth, Allison, Carruth, Allison, Crawford, Nicholas, Crawford, Nicholas, Gobert, R. Darren, Gobert, R. Darren, Gontarski, S. E., Gontarski, S. E., Peters, Julie Stone, Peters, Julie Stone, Roach, Joseph, Roach, Joseph, Salvato, Nick, Salvato, Nick, Thresher, Tanya, Thresher, Tanya, Tucker-Abramson, Myka, Tucker-Abramson, Myka, Worthen, Hana, Worthen, Hana, Worthen, W. B., Worthen, W. B., |
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Ackerman, Alan , Ackerman, Alan , Ackerman, Alan, Ackerman, Alan, Begam, Richard, Begam, Richard, Blum, Bilha, Blum, Bilha, Carruth, Allison, Carruth, Allison, Crawford, Nicholas, Crawford, Nicholas, Gobert, R. Darren, Gobert, R. Darren, Gontarski, S. E., Gontarski, S. E., Peters, Julie Stone, Peters, Julie Stone, Roach, Joseph, Roach, Joseph, Salvato, Nick, Salvato, Nick, Thresher, Tanya, Thresher, Tanya, Tucker-Abramson, Myka, Tucker-Abramson, Myka, Worthen, Hana, Worthen, Hana, Worthen, W. B., Worthen, W. B., |
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Ackerman, Alan , |
| title |
Reading Modern Drama / |
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Reading Modern Drama / Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Gossip Girls: Lady Teazle, Nora Helmer, and Invisible-Hand Drama -- 2. "Vinløv i håret": The Relationship between Women, Language, and Power in Ibsen's Hedda Gabler -- 3. "¡Silencio, he dicho!" Space, Language, and Characterization as Agents of Social Protest in Lorca's Rural Tragedies -- 4. The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog -- 5. The Space Stage and the Circus: E.E. Cummings's Him and Frederick Kiesler's Raumbühne -- 6. How to Do Nothing with Words, or Waiting for Godot as Performativity -- 7. Reinventing Beckett -- 8. Uncloseting Drama: Gertrude Stein and the Wooster Group -- 9. Synge's Playboy and the Eugenics of Language -- 10. The Pillowman and the Ethics of Allegory -- 11. Cognitive Catharsis in The Caucasian Chalk Circle -- 12. Jane Harrison and the Savage Dionysus: Archaeological Voyages, Ritual Origins, Anthropology, and the Modern Theatre -- Contributors -- Index |
| title_full |
Reading Modern Drama / ed. by Alan Ackerman. |
| title_fullStr |
Reading Modern Drama / ed. by Alan Ackerman. |
| title_full_unstemmed |
Reading Modern Drama / ed. by Alan Ackerman. |
| title_auth |
Reading Modern Drama / |
| title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Gossip Girls: Lady Teazle, Nora Helmer, and Invisible-Hand Drama -- 2. "Vinløv i håret": The Relationship between Women, Language, and Power in Ibsen's Hedda Gabler -- 3. "¡Silencio, he dicho!" Space, Language, and Characterization as Agents of Social Protest in Lorca's Rural Tragedies -- 4. The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog -- 5. The Space Stage and the Circus: E.E. Cummings's Him and Frederick Kiesler's Raumbühne -- 6. How to Do Nothing with Words, or Waiting for Godot as Performativity -- 7. Reinventing Beckett -- 8. Uncloseting Drama: Gertrude Stein and the Wooster Group -- 9. Synge's Playboy and the Eugenics of Language -- 10. The Pillowman and the Ethics of Allegory -- 11. Cognitive Catharsis in The Caucasian Chalk Circle -- 12. Jane Harrison and the Savage Dionysus: Archaeological Voyages, Ritual Origins, Anthropology, and the Modern Theatre -- Contributors -- Index |
| title_new |
Reading Modern Drama / |
| title_sort |
reading modern drama / |
| publisher |
University of Toronto Press, |
| publishDate |
2017 |
| physical |
1 online resource (320 p.) : 8 b&w illustrations Issued also in print. |
| contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Gossip Girls: Lady Teazle, Nora Helmer, and Invisible-Hand Drama -- 2. "Vinløv i håret": The Relationship between Women, Language, and Power in Ibsen's Hedda Gabler -- 3. "¡Silencio, he dicho!" Space, Language, and Characterization as Agents of Social Protest in Lorca's Rural Tragedies -- 4. The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog -- 5. The Space Stage and the Circus: E.E. Cummings's Him and Frederick Kiesler's Raumbühne -- 6. How to Do Nothing with Words, or Waiting for Godot as Performativity -- 7. Reinventing Beckett -- 8. Uncloseting Drama: Gertrude Stein and the Wooster Group -- 9. Synge's Playboy and the Eugenics of Language -- 10. The Pillowman and the Ethics of Allegory -- 11. Cognitive Catharsis in The Caucasian Chalk Circle -- 12. Jane Harrison and the Savage Dionysus: Archaeological Voyages, Ritual Origins, Anthropology, and the Modern Theatre -- Contributors -- Index |
| isbn |
9781442661486 9781442612815 |
| callnumber-first |
P - Language and Literature |
| callnumber-subject |
PN - General Literature |
| callnumber-label |
PN1851 |
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PN 41851 R43 42012 |
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19th century 20th century |
| url |
https://doi.org/10.3138/9781442661486 https://www.degruyter.com/isbn/9781442661486 https://www.degruyter.com/cover/covers/9781442661486.jpg |
| illustrated |
Not Illustrated |
| dewey-hundreds |
800 - Literature |
| dewey-tens |
800 - Literature, rhetoric & criticism |
| dewey-ones |
809 - History, description & criticism |
| dewey-full |
809.2 |
| dewey-sort |
3809.2 |
| dewey-raw |
809.2 |
| dewey-search |
809.2 |
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10.3138/9781442661486 |
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1004879930 |
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