Defining the Modern Museum : : A Case Study of the Challenges of Exchange / / Lianne McTavish.

• VerfasserIn: McTavish, Lianne,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2017]; ©2012
• Year of Publication: 2017
• Language: English
• Series: Cultural Spaces
• Physical Description: 1 online resource (240 p.) :; 14 illustrations
• Other title: Frontmatter --; Contents --; Illustrations --; Acknowledgments --; Introduction: The Impossible Museum --; Chapter One. Exchanging Values in the Nineteenth- Century Museum Marketplace --; Chapter Two. Learning to See: Vision, Visuality, and Material Culture, 1862-1929 --; Chapter Three. Offering Orientalism: Women and the Gift Economy of the Museum, 1880-1940 --; Chapter Four. Libraries and Museums: Shifting Relationships, 1830-1940 --; Chapter Five. Gendered Professionals: Debating the Ideal Museum Worker during the 1930s and 1940s --; Conclusion --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442660540
• DOI: 10.3138/9781442660540
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Lianne McTavish.

Defining the Modern Museum is a fascinating exploration of the museum as a cultural institution. Emphasizing museums' relationship to schools, libraries, and government agencies, this interdisciplinary study challenges long-standing assumptions about museums - revealing their messy, uncertain origins, and belying the standard narrative of their educational purpose having been corrupted by corporate goals.Using theoretical models and extensive archival research, Lianne McTavish examines the case of Canada's oldest continuing public museum, the New Brunswick Museum in Saint John. Focusing on the period between 1842 and the 1950s, McTavish addresses topics such as the transnational exchange of objects between museums, efforts by women to claim space within the organization, the creation of Carnegie libraries, and the rising status of curators.Shedding light on many topics of current interest, especially the commodification and globalization of museums, this study makes a lively contribution to museum studies and cultural studies.