Some Facets of King Lear : : Essays in Prismatic Criticism / / ed. by Rosalie Colie, F.T. Flahiff.
The image of the prism, with its multiple refractions, offers some sense of the inexhaustible variety of a work of art. Like a prism, King Lear is attractive; like a prism, it is a multiply shaped thing; like a prism, it is an object of admiration, as well as an instrument of analysis. The essays in...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
---|---|
MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Toronto : : University of Toronto Press, , [2017] ©1974 |
Year of Publication: | 2017 |
Language: | English |
Series: | Heritage
|
Online Access: | |
Physical Description: | 1 online resource (256 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Preface
- One. King Lear and Its language
- Two. The Subplot as Simplification in King Lear
- Three. Theatrical Emblems in King Lear
- Four. Acting as Action in King Lear
- Five. We Put Fresh Garments on Him′: Nakedness and Clothes in King Lear
- Six. The Artist Exploring the Primitive: King Lear
- Seven. Recognition in King Lear
- Eight. The Energies of Endurance : Biblical Echo in King Lear
- Nine. ‘Ripeness is All’: Sententiae and Common - places in King Lear
- Ten. King Lear as Pastoral Tragedy
- Eleven. Reason and Need : King Lear and the ‘Crisis’ of the Aristocracy
- Twelve. Edgar: Once and Future King
- Afterword
- Contributors