Honor Edgeworth / / Kate Madeleine Bottomley; ed. by Douglas Lochhead.

In Honor Edgeworth the sole and sincere motive of the authoress has been to hold up to the mass the little picture of society, in one of its most marked phases, that she has sketched, as she watched its freaks and caprices from behind the scenes.Ottawa, in this work, is taken merely as a representat...

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Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999
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Place / Publishing House:Toronto : : University of Toronto Press, , [2016]
©1973
Year of Publication:2016
Language:English
Series:Heritage
Online Access:
Physical Description:1 online resource (344 p.)
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100 1 |a Bottomley, Kate Madeleine,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Honor Edgeworth /  |c Kate Madeleine Bottomley; ed. by Douglas Lochhead. 
264 1 |a Toronto :   |b University of Toronto Press,   |c [2016] 
264 4 |c ©1973 
300 |a 1 online resource (344 p.) 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Heritage 
505 0 0 |t Frontmatter --   |t PREFACE --   |t CHAPTER I --   |t CHAPTER II --   |t CHAPTER III --   |t CHAPTER IV --   |t CHAPTER V --   |t CHAPTER VI --   |t CHAPTER VII --   |t CHAPTER VIII --   |t CHAPTER IX --   |t CHAPTER X --   |t CHAPTER XI --   |t CHAPTER XII --   |t CHAPTER XIII --   |t CHAPTER XIV --   |t CHAPTER XV --   |t CHAPTER XVI --   |t CHAPTER XVII --   |t CHAPTER XVIII --   |t CHAPTER XIX --   |t CHAPTER XX --   |t CHAPTER XXI --   |t CHAPTER XXII --   |t CHAPTER XXIII --   |t CHAPTER XXIV --   |t CHAPTER XXV --   |t CHAPTER XXVI --   |t CHAPTER XXVII --   |t CHAPTER XXVIII --   |t CHAPTER XXIX --   |t CHAPTER XXX --   |t CHAPTER XXXI --   |t CHAPTER XXXII --   |t CHAPTER XXXIII --   |t CHAPTER XXXIV --   |t CHAPTER XXXV --   |t CHAPTER XXXVI --   |t CHAPTER XXXVII --   |t CHAPTER XXXVIII --   |t CHAPTER XXXIX --   |t CHAPTER XL 
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520 |a In Honor Edgeworth the sole and sincere motive of the authoress has been to hold up to the mass the little picture of society, in one of its most marked phases, that she has sketched, as she watched its freaks and caprices from behind the scenes.Ottawa, in this work, is taken merely as a representative of all other fashionable cities, for the simple reason that it is better known to the writer than any other city of social repute. Her object in publishing the volume at all, if not clearly defined throughout the work, may be discovered here: it is primarily, to attract the attention of those who, if they wished, could exercise a beneficial influence over the sphere in which they live, to the moral depravities that at present are allowed so passively to float on the surface of the social tide. It would with the same word appeal to the minds and hearts of those women who are satisfied to remain slaves to the exactions of an unscrupulous society, at the sacrifice of their most womanly impulses, and their noblest energies; and would also remind some reckless sons of Ottawa, of how miserably they are contributing towards the future prosperity of their country, by adopting, as the only aim of their lives, the paltry ambition of an unworthy self-indulgence.The predominant feeling throughout the entire composition has been one of pure philanthropy, as the authoress desires to benefit her fellow-creatures, in as far as it lies in her very limited power. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 7 |a LITERARY CRITICISM / General.  |2 bisacsh 
700 1 |a Lochhead, Douglas,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
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