Italian Modernism : : Italian Culture between Decadentism and Avant-Garde / / ed. by Luca Somigli, Mario Moroni.

Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Focussing on the confrontation between these concepts and the broader notion of international modern...

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Place / Publishing House:Toronto : : University of Toronto Press, , [2017]
©2004
Year of Publication:2017
Language:English
Series:Toronto Italian Studies
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Physical Description:1 online resource (488 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Acknowledgments
  • Foreword: After The Conquest of the Stars
  • Contributors
  • Modernism in Italy: An Introduction
  • PART I. Modernism in Context
  • 1. Italy and Modernity: Peculiarities and Contradictions
  • PART II. Decadence and Aestheticism
  • 2. Sensuous Maladies: The Construction of Italian Decadentismo
  • 3. D'Annunzio, Duse, Wilde, Bernhardt: Author and Actress between Decadence and Modernity
  • 4. Omnes velut aqua dilabimur: Antonio Fogazzaro, The Saint, and Catholic Modernism
  • 5. Overcoming Aestheticism
  • 6 Transtextual Patterns: Guido Gozzano Between Epic and Elegy in 'Goa: "La Dourada"'
  • PART III. Avant-Garde
  • 7. Modernism in Florence: The Politics of Avant-Garde Culture in the Early Twentieth Century
  • 8. Back to the Future: Temporal Ambivalences in F.T. Marinetti's Writings
  • 9. Ungaretti, Reader of Futurism
  • 10. Of Thresholds and Boundaries: Luigi Pirandello between Modernity and Modernism
  • PART IV. The Return to Order: Metafisica, Novecentismo
  • 11. Modernism and the Quest for the Real: On Massimo Bontempelli's Minnie la Candida
  • 12. De Chirico's Heroes: The Victors of Modernity
  • 13. Gender, Identity, and the Return to Order . in the Early Works of Paola Masino
  • PART V. Towards the Postmodern
  • 14. Representing Repetition: Appropriation in de Chirico and After
  • Index