Legitimizing the Artist : : Manifesto Writing and European Modernism 1885-1915 / / Luca Somigli.
In the late nineteenth and early twentieth centuries, the production of literary and cultural manifestoes enjoyed a veritable boom and accompanied the rise of many avant-garde movements. Legitimizing the Artist considers this phenomenon as a response to a more general crisis of legitimation that art...
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Superior document: | Title is part of eBook package: De Gruyter UTP eBook-Package Backlist 2000-2015 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2004 |
Year of Publication: | 2016 |
Language: | English |
Series: | Toronto Italian Studies
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Online Access: | |
Physical Description: | 1 online resource |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction: The Artist in Modernity
- 1. Strategies of Legitimation: The Manifesto from Politics to Aesthetics
- 2. A Poetics of Modernity: Futurism as the Overturning of Aestheticism
- 3. Anarchists and Scientists: Futurism in England and the Formation of Imagism
- Conclusion
- Notes
- References
- Index