The Ovidian Vogue : : Literary Fashion and Imitative Practice in Late Elizabethan England / / Daniel D. Moss.
The Roman poet Ovid was one of the most-imitated classical writers of the Elizabethan age and a touchstone for generations of English writers. In The Ovidian Vogue, Daniel Moss argues that poets appropriated Ovid not just to connect with the ancient past but also to communicate and compete within la...
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| Superior document: | Title is part of eBook package: De Gruyter UTP eBook-Package 2014-2016 |
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2014 |
| Year of Publication: | 2016 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (272 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Abbreviations
- Introduction: "Note how she quotes the leaves"
- 1. Impotence and Stillbirth: Nashe, Shakespeare, and the Ovidian Debut
- 2. Shadow and Corpus: The Shifting Figure of Ovid in Chapman's Early Poetry
- 3. Ovid in the Godless Poem: Allusive Rebellion in Edmund Spenser's Legend of Justice
- 4. The Post-Metamorphic Landscape in Drayton's Endimion and Phoebe and Englands Heroicall Epistles
- 5. The Brief Ovidian Career of John Donne
- Conclusion: "It sticks strangely, whatever it is"
- Notes
- Bibliography
- Index