Automatic for the Masses : : The Death of the Author and the Birth of Socialist Realism / / Petre M. Petrov.
At the end of the 1920s, the Modernist and avant-garde artistic programmes of the early Soviet Union were swept away by the rise of Stalinism and the dictates of Socialist Realism. Did this aesthetic transition also constitute a conceptual break, or were there unseen continuities between these two m...
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| Superior document: | Title is part of eBook package: De Gruyter ACUP Complete eBook-Package 2015 |
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2015] ©2015 |
| Year of Publication: | 2015 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (328 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Introduction
- Part One
- Chapter 1. The Imperative of Form
- Chapter 2. The Imperative of Content
- Chapter 3. Knowledge Become Practice
- Chapter 4. The Organization of Things
- Chapter 5. The Organization of Minds
- Part Two
- Chapter 6. The Anonymous Centre of Style
- Chapter 7. The Unbearable Light of Being
- Chapter 8. Ideology as Authentication
- Chapter 9. The Blind, the Seeing, and the Shiny
- Chapter 10. Life Happens
- Notes
- Works Cited
- Index