What the Victorians Made of Romanticism : : Material Artifacts, Cultural Practices, and Reception History / / Tom Mole.

• Superior document: Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2017
• VerfasserIn: Mole, Tom,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2017]; ©2018
• Year of Publication: 2017
• Language: English
• Physical Description: 1 online resource (336 p.) :; 28 halftones. 2 line illus. 4 tables. 2 maps.
• Other title: Frontmatter --; Contents --; List of Illustrations & Tables --; Acknowledgments --; Introduction: Don Juan in the Pub --; PART I. THE WEB OF RECEPTION --; Romantic Writers in the Victorian Media Ecology --; Reception Traditions and Punctual Historicism --; Minding the Generation Gap --; PART II. ILLUSTRATIONS --; Illustration as Renovation --; Renovating Romantic Poetry: Retrofitted Illustrations --; Turning the Page: Illustrated Frontmatter --; PART III. SERMONS --; A Religious Reception Tradition --; Converting Shelley --; Spurgeon, Byron, and the Contingencies of Mediation --; PART IV. STATUES --; Secular Pantheons for the Reformed Nation: Byron in Cambridge --; The Distributed Pantheon: Scott in Edinburgh --; The Networked Pantheon: Byron in London --; PART V. ANTHOLOGIES --; Scattered Odes in Shattered Books: Quantifying Victorian Anthologies --; Romantic Short Poems in Victorian Anthologies --; Romantic Long Poems in Victorian Anthologies --; Coda: Ozymandias at the Olympics; or, She Walks in Brixton --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781400887897; 9783110543322; 9783110606591
• DOI: 10.1515/9781400887897?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Tom Mole.

This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media.Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers.Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.