Hart Crane and Allen Tate : : Janus-Faced Modernism / / Langdon Hammer.
Focusing on the vexed friendship between Hart Crane and Allen Tate, this book examines twentieth-century American poetry's progress toward institutional sanction and professional organization, a process in which sexual identities, poetic traditions, and literary occupations were in question and...
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| Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2017] ©1993 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Princeton Legacy Library ;
5176 |
| Online Access: | |
| Physical Description: | 1 online resource (296 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Preface
- Acknowledgments
- I. Janus-Faced Modernism
- One. Toward the Institute of Literary Autonomy and Tradition
- II. Tate: The Right Kind of Modernism
- Two. The Realism of The Waste Land
- Three. Genius and the Rational Order of Criticism
- Four. The Burial of the Confederate Dead
- Coda. "Mrs. Tate's" Tombstone
- III. Crane: Modernism in Reverse
- Five. A Resurrection of Some Kind
- Six. Dice of Drowned Men's Bones
- Seven. The Floating Singer of The Bridge
- Coda. Unanswered Questions
- IV. Beyond Modernism
- Eight. Robert Lowell's Breakdown
- Notes
- Works Cited
- Index