Neo-Baroque : : A Sign of the Times / / Omar Calabrese.

A leading young Italian semiologist scrutinizes today's cultural phenomena and finds the prevailing taste to be "neo-baroque"--characterized by an appetite for virtuosity, frantic rhythms, instability, poly-dimensionality, and change. Omar Calabrese locates a "sign of the times&q...

Full description

Saved in:
Bibliographic Details
VerfasserIn:
TeilnehmendeR:
Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2017]
©1992
Year of Publication:2017
Language:English
Series:Princeton Legacy Library ; 5189
Online Access:
Physical Description:1 online resource (252 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 04770nam a22006615i 4500
001 9781400887156
003 DE-B1597
005 20210824034702.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 210824t20171992nju fo d z eng d
020 |a 9781400887156 
024 7 |a 10.1515/9781400887156  |2 doi 
035 |a (DE-B1597)482002 
035 |a (OCoLC)1004882210 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a nju  |c US-NJ 
050 4 |a NX456  |b .C3213 2017eb 
072 7 |a PHI000000  |2 bisacsh 
082 0 4 |a 700/.9/04  |2 23 
100 1 |a Calabrese, Omar,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Neo-Baroque :  |b A Sign of the Times /  |c Omar Calabrese. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2017] 
264 4 |c ©1992 
300 |a 1 online resource (252 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 0 |a Princeton Legacy Library ;  |v 5189 
505 0 0 |t Frontmatter --   |t Contents --   |t Foreword --   |t Preface --   |t Chapter 1. Taste and Method --   |t Chapter 2. Rhythm and Repetition --   |t Chapter 3. Limit and Excess --   |t Chapter 4. Detail and Fragment --   |t Chapter 5. Instability and Metamorphosis --   |t Chapter 6. Disorder and Chaos --   |t Chapter 7. The Knot and the Labyrinth --   |t Chapter 8. Complexity and Dissipation --   |t Chapter 9. The Approximate and the Inexpressible --   |t Chapter 10. Distortion and Perversion --   |t Chapter 11. Some Like It Classical --   |t Notes --   |t Index of Names 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a A leading young Italian semiologist scrutinizes today's cultural phenomena and finds the prevailing taste to be "neo-baroque"--characterized by an appetite for virtuosity, frantic rhythms, instability, poly-dimensionality, and change. Omar Calabrese locates a "sign of the times" in an amazing variety of literary, philosophical, artistic, musical, and architectural forms, from the Venice Biennale through the "new science" to television series, video games, and "zapping" with the remote control device from channel to channel! Calabrese admits that he begins the book with a refusal to distinguish between "Donald Duck and Dante." Avoiding hierarchies or ghettos among works, he takes his readers on a fast-paced expedition through contemporary culture that closes with an elegant essay on evaluation and classical form. According to Calabrese, the enormous quantity of narrative now being produced has led to a new situation: everything has already been said, and everything has already been written. The only way of avoiding saturation has been to turn to a poetics of repetition. The author shows that pleasure in texts is now produced by tiny variations, and a certain kind of citation from other works has taken on a central importance that would have been unthinkable only a few years ago. In describing this development, and others shared by both avant-garde and mass media, he makes us aware of the rapid shrinkage in the once ample space between "highbrow" and "lowbrow."Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) 
650 0 |a Arts, Modern  |y 20th century  |x Philosophy. 
650 0 |a Arts, Modern  |y 20th century  |x Themes, motives. 
650 7 |a PHILOSOPHY / General.  |2 bisacsh 
700 1 |a Lambert, Charles. 
856 4 0 |u https://doi.org/10.1515/9781400887156 
856 4 0 |u https://www.degruyter.com/isbn/9781400887156 
856 4 2 |3 Cover  |u https://www.degruyter.com/cover/covers/9781400887156.jpg 
912 |a EBA_BACKALL 
912 |a EBA_CL_PLTLJSIS 
912 |a EBA_EBACKALL 
912 |a EBA_EBKALL 
912 |a EBA_ECL_PLTLJSIS 
912 |a EBA_EEBKALL 
912 |a EBA_ESSHALL 
912 |a EBA_PPALL 
912 |a EBA_SSHALL 
912 |a GBV-deGruyter-alles 
912 |a PDA11SSHE 
912 |a PDA13ENGE 
912 |a PDA17SSHEE 
912 |a PDA5EBK