Off the Ground : : First Steps to a Philosophical Consideration of the Dance / / Francis Edward Sparshott.

What is dance, as seen from a philosopher's point of view? Why has dance played little part in traditional philosophies of the arts? And why do these philosophies of the arts take the form they do? The distinguished aesthetician Francis Sparshott subjects these questions to a thorough examinati...

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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2017]
©1988
Year of Publication:2017
Language:English
Series:Princeton Legacy Library ; 5036
Online Access:
Physical Description:1 online resource (454 p.)
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Other title:Frontmatter --
Contents --
Preface --
Acknowledgments --
Introduction --
Part I. Metatheory: On the Philosophy of Dance --
Chapter 1. Why the Aesthetics of Dance Has Been Neglected --
Chapter 2. Dance as Metaphor: World as Dance --
Chapter 3. Contexts for Dance Theory --
Part II. Theory: On Dance --
Chapter 4. Some Dimensions of Dance Meaning --
Chapter 5. On What Is and What Is Not Dance --
Chapter 6. On What Is and What Is Not The Art of Dance --
Chapter 7. Dance and Its Neighbors --
Chapter 8. What Dance Is --
Chapter 9. Conclusion --
Reference List --
Index
Summary:What is dance, as seen from a philosopher's point of view? Why has dance played little part in traditional philosophies of the arts? And why do these philosophies of the arts take the form they do? The distinguished aesthetician Francis Sparshott subjects these questions to a thorough examination that takes into account all forms and aspects of dance, in art and in life, and brings them within the scope of a single discussion. By showing what is involved in deciding whether something is or is not dance, and by displaying the diversity of ways in which dance can be found meaningful, he provides a new sort of background for dance aesthetics and dance criticism. At the same time he makes a far-reaching contribution to the methodology of the philosophy of art and practice. In a witty and personal style that will be familiar to readers of his earlier books, Professor Sparshott makes a distinction between dance and its neighbors (such as work, sports, and games) and points out that it is more profoundly connected to questions of self-knowledge than the other arts. Dance differs from any of the fine arts in that it can be seen, not as the manipulation of a medium, but as self-transformation.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781400886951
DOI:10.1515/9781400886951
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Francis Edward Sparshott.