Coleridge on the Language of Verse / / Emerson R. Marks.
Drawing on the entire corpus of Coleridge's prose, Emerson Marks shows how the poet's rationale was grounded in the mimetic theory that informed his distinction between a copy and an imitation which Coleridge himself labeled the universal principle of the fine arts."Originally publish...
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Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2017] ©1981 |
Year of Publication: | 2017 |
Language: | English |
Series: | Princeton Essays in Literature ;
5099 |
Online Access: | |
Physical Description: | 1 online resource (134 p.) |
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Other title: | Frontmatter -- Contents -- Preface -- I. Coleridge on Language -- II. The Language of Heaven -- III. The Universal Principle -- IV. Organic Mimesis and Poetic Art -- V. Tamers of the Chaos -- Index -- Backmatter |
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Summary: | Drawing on the entire corpus of Coleridge's prose, Emerson Marks shows how the poet's rationale was grounded in the mimetic theory that informed his distinction between a copy and an imitation which Coleridge himself labeled the universal principle of the fine arts."Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9781400886401 9783110442496 |
DOI: | 10.1515/9781400886401?locatt=mode:legacy |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Emerson R. Marks. |