Under the Cover : : The Creation, Production, and Reception of a Novel / / Clayton Childress.

Under the Cover follows the life trajectory of a single work of fiction from its initial inspiration to its reception by reviewers and readers. The subject is Jarrettsville, a historical novel by Cornelia Nixon, which was published in 2009 and based on an actual murder committed by an ancestor of Ni...

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Superior document:Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2017
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2017]
©2017
Year of Publication:2017
Language:English
Series:Princeton Studies in Cultural Sociology ; 73
Online Access:
Physical Description:1 online resource (320 p.) :; 32 line illus.
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100 1 |a Childress, Clayton,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Under the Cover :  |b The Creation, Production, and Reception of a Novel /  |c Clayton Childress. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (320 p.) :  |b 32 line illus. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
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490 0 |a Princeton Studies in Cultural Sociology ;  |v 73 
505 0 0 |t Frontmatter --   |t Contents --   |t 1. Introduction: The estrangement of Creation, Production, and reception --   |t PART I. THE FIELD OF CREATION --   |t 2 The Structure of Creativity --   |t 3. Authorial Careers: or, how $6,000 Becomes a Middle- Class income --   |t PART II. From Creation to ProduCtion --   |t 4. Literary agents and double duties --   |t PART III. The Field of Production --   |t 5. Decision Making, Taste, and financial Commitment to Culture: or, Why Counterpoint Press accepted Jarrettsville after rejecting it --   |t 6. Industry Structure and the Position and disposition of Publishers: or, how Some of the end of Jarrettsville Quite literally Became the Beginning --   |t 7. Storytelling and Mythmaking --   |t PART IV. From Production to reception --   |t 8. Retailers and reviewers: or, how Being Placed on the front Table Could have Tanked Jarrettsville --   |t PART V. The Field of Reception --   |t 9. Reading life into novels --   |t 10. Reading novels into life --   |t PART VI. Connecting the Circuit --   |t 11. Conclusion: reconnecting Creation, Production, and reception --   |t Methodological appendix --   |t Acknowledgments --   |t Notes --   |t References --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Under the Cover follows the life trajectory of a single work of fiction from its initial inspiration to its reception by reviewers and readers. The subject is Jarrettsville, a historical novel by Cornelia Nixon, which was published in 2009 and based on an actual murder committed by an ancestor of Nixon's in the postbellum South.Clayton Childress takes you behind the scenes to examine how Jarrettsville was shepherded across three interdependent fields-authoring, publishing, and reading-and how it was transformed by its journey. Along the way, he covers all aspects of the life of a book, including the author's creative process, the role of the literary agent, how editors decide which books to acquire, how publishers build lists and distinguish themselves from other publishers, how they sell a book to stores and publicize it, and how authors choose their next projects. Childress looks at how books get selected for the front tables in bookstores, why reviewers and readers can draw such different meanings from the same novel, and how book groups across the country make sense of a novel and what it means to them.Drawing on original survey data, in-depth interviews, and groundbreaking ethnographic fieldwork, Under the Cover reveals how decisions are made, inequalities are reproduced, and novels are built to travel in the creation, production, and consumption of culture. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) 
650 0 |a American literature  |x History and criticism  |y 21st century. 
650 0 |a Book industries and trade. 
650 0 |a Books. 
650 0 |a Literature and society. 
650 0 |a Printing. 
650 0 |a Publishers and publishing. 
650 0 |a Sociology. 
650 7 |a SOCIAL SCIENCE / Sociology / General.  |2 bisacsh 
653 |a Adam Krefman. 
653 |a Angels Go Naked. 
653 |a BookExpo America. 
653 |a Cornelia Nixon. 
653 |a Counterpoint Press. 
653 |a Jarrettsville. 
653 |a Kim Wylie. 
653 |a Martha's Version. 
653 |a Now You See It. 
653 |a Publishers Group West. 
653 |a Richard Cairnes. 
653 |a Starbucks. 
653 |a Wendy Weil. 
653 |a artistic books. 
653 |a authors. 
653 |a book groups. 
653 |a books. 
653 |a bookstores. 
653 |a career. 
653 |a commercial books. 
653 |a copyediting. 
653 |a creation. 
653 |a editors. 
653 |a education. 
653 |a email. 
653 |a family. 
653 |a finances. 
653 |a literary agents. 
653 |a literary influences. 
653 |a literary magazines. 
653 |a marketing. 
653 |a middle-class income. 
653 |a personal life. 
653 |a production. 
653 |a publishers. 
653 |a publishing houses. 
653 |a publishing. 
653 |a readers. 
653 |a reception. 
653 |a relationships. 
653 |a retailers. 
653 |a reviewers. 
653 |a social interactions. 
653 |a sociology. 
653 |a structural racism. 
653 |a writing style. 
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