The Politics of Opera : : A History from Monteverdi to Mozart / / Mitchell Cohen.
A wide-ranging look at the interplay of opera and political ideas through the centuriesThe Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shap...
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Cohen, Mitchell, author. aut http://id.loc.gov/vocabulary/relators/aut The Politics of Opera : A History from Monteverdi to Mozart / Mitchell Cohen. Princeton, NJ : Princeton University Press, [2017] ©2018 1 online resource (512 p.) : 20 halftones. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Illustrations -- Prologue: Mixtures, Boundaries, Parallels -- Acknowledgments -- Part 1: Metamorphoses, ancient to Modern -- Chapter 1. Who Rules? -- Chapter 2. Reigning Voices -- Chapter 3. Laws and Laurels -- Part 2: Mantua to Venice -- Chapter 4. Orpheus’s Ways -- Chapter 5. A Prince Decides on Naxos -- Chapter 6. The Political Scenario of Monteverdi’s Venice -- Chapter 7. Revealing Ulysses -- Chapter 8. Spectacles -- Part 3: Under French Suns -- Chapter 9. Agitations and Absolutes -- Chapter 10. In the Winds: The Decades of Pernucio And Telemachus -- Chapter 11. Vertical, Horizontal -- Chapter 12. Nature and Its Discontents -- Part 4: Ancients in Modernity -- Chapter 13. From Elysium to Utica -- Chapter 14. From Crete to Rome -- Part 5: “. . . And Although I Am No Count . . .” -- Chapter 15 Masters and Servants -- Chapter 16. Gaits of History -- Chapter 17. Looking for Enlightenment -- Chapter 18. Tamino’s Wonder -- Appendix: “Backstage” -- Notes -- Select Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star A wide-ranging look at the interplay of opera and political ideas through the centuriesThe Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce.Cohen begins with opera's emergence under Medici absolutism in Florence during the late Renaissance—where debates by humanists, including Galileo's father, led to the first operas in the late sixteenth century. Taking readers to Mantua and Venice, where composer Claudio Monteverdi flourished, Cohen examines how early operatic works like Orfeo used mythology to reflect on governance and policy issues of the day, such as state jurisdictions and immigration. Cohen explores France in the ages of Louis XIV and the Enlightenment and Vienna before and during the French Revolution, where the deceptive lightness of Mozart's masterpieces touched on the havoc of misrule and hidden abuses of power. Cohen also looks at smaller works, including a one-act opera written and composed by philosopher Jean-Jacques Rousseau. Essential characters, ancient and modern, make appearances throughout: Nero, Seneca, Machiavelli, Mazarin, Fenelon, Metastasio, Beaumarchais, Da Ponte, and many more.An engrossing book that will interest all who love opera and are intrigued by politics, The Politics of Opera offers a compelling investigation into the intersections of music and the state. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Opera Political aspects History. Opera Political aspects. MUSIC / Genres & Styles / Opera. bisacsh Alessandro Striggio the Younger. Allusion. Ancient music. Aristocracy. Cambridge University Press. Cavalieri. Censure. Claudio Monteverdi. Comic opera. Composer. Consigliere. Council of Ten. Counter-Reformation. Criticism. Declamation. Despotism. Dido and Aeneas. Discourses on Livy. Don Giovanni. Duchy. Eloquence. Emilio de' Cavalieri. Eumaeus. Euridice (Peri). Florentine Camerata. French opera. Genre. Girolamo Mei. Holy Roman Emperor. Holy Roman Empire. House of Habsburg. Ideology. Idomeneo. Idomeneus. Intermedio. Irony. Italian opera. Jean-Philippe Rameau. Jews. Justus Lipsius. L'incoronazione di Poppea. La serva padrona. Lament. Le devin du village. Les Indes galantes. Libretto. Literature. Lorenzo Da Ponte. Louis XIV of France. Madame de Pompadour. Majesty. Mirrors for princes. Modernity. Monarchy. Monody. Motet. Muse. Music Is. Musician. Nevers. Niccolò Machiavelli. Nobility. Oligarchy. Opera buffa. Opera seria. Orpheus and Eurydice. Ottavio Rinuccini. Philosopher. Philosophy. Phrase (music). Playwright. Poetry. Political philosophy. Polyphemus. Popular sovereignty. Prerogative. Protestantism. Querelle des Bouffons. Querelle. Renaissance humanism. Republicanism. Rhetoric. Ruler. Satire. Singing. Singspiel. Sinon. Slavery. Sovereignty. Stanford University. Suetonius. Tacitus. The Indiscreet Jewels. The Magic Flute. The Marriage of Figaro. Theodor W. Adorno. V. Valet. Vincenzo Galilei. Writing. Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2017 9783110543322 Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2018 9783110606591 print 9780691175027 https://doi.org/10.1515/9781400884735?locatt=mode:legacy https://www.degruyter.com/isbn/9781400884735 Cover https://www.degruyter.com/document/cover/isbn/9781400884735/original |
language |
English |
format |
eBook |
author |
Cohen, Mitchell, Cohen, Mitchell, |
spellingShingle |
Cohen, Mitchell, Cohen, Mitchell, The Politics of Opera : A History from Monteverdi to Mozart / Frontmatter -- Contents -- Illustrations -- Prologue: Mixtures, Boundaries, Parallels -- Acknowledgments -- Part 1: Metamorphoses, ancient to Modern -- Chapter 1. Who Rules? -- Chapter 2. Reigning Voices -- Chapter 3. Laws and Laurels -- Part 2: Mantua to Venice -- Chapter 4. Orpheus’s Ways -- Chapter 5. A Prince Decides on Naxos -- Chapter 6. The Political Scenario of Monteverdi’s Venice -- Chapter 7. Revealing Ulysses -- Chapter 8. Spectacles -- Part 3: Under French Suns -- Chapter 9. Agitations and Absolutes -- Chapter 10. In the Winds: The Decades of Pernucio And Telemachus -- Chapter 11. Vertical, Horizontal -- Chapter 12. Nature and Its Discontents -- Part 4: Ancients in Modernity -- Chapter 13. From Elysium to Utica -- Chapter 14. From Crete to Rome -- Part 5: “. . . And Although I Am No Count . . .” -- Chapter 15 Masters and Servants -- Chapter 16. Gaits of History -- Chapter 17. Looking for Enlightenment -- Chapter 18. Tamino’s Wonder -- Appendix: “Backstage” -- Notes -- Select Bibliography -- Index |
author_facet |
Cohen, Mitchell, Cohen, Mitchell, |
author_variant |
m c mc m c mc |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Cohen, Mitchell, |
title |
The Politics of Opera : A History from Monteverdi to Mozart / |
title_sub |
A History from Monteverdi to Mozart / |
title_full |
The Politics of Opera : A History from Monteverdi to Mozart / Mitchell Cohen. |
title_fullStr |
The Politics of Opera : A History from Monteverdi to Mozart / Mitchell Cohen. |
title_full_unstemmed |
The Politics of Opera : A History from Monteverdi to Mozart / Mitchell Cohen. |
title_auth |
The Politics of Opera : A History from Monteverdi to Mozart / |
title_alt |
Frontmatter -- Contents -- Illustrations -- Prologue: Mixtures, Boundaries, Parallels -- Acknowledgments -- Part 1: Metamorphoses, ancient to Modern -- Chapter 1. Who Rules? -- Chapter 2. Reigning Voices -- Chapter 3. Laws and Laurels -- Part 2: Mantua to Venice -- Chapter 4. Orpheus’s Ways -- Chapter 5. A Prince Decides on Naxos -- Chapter 6. The Political Scenario of Monteverdi’s Venice -- Chapter 7. Revealing Ulysses -- Chapter 8. Spectacles -- Part 3: Under French Suns -- Chapter 9. Agitations and Absolutes -- Chapter 10. In the Winds: The Decades of Pernucio And Telemachus -- Chapter 11. Vertical, Horizontal -- Chapter 12. Nature and Its Discontents -- Part 4: Ancients in Modernity -- Chapter 13. From Elysium to Utica -- Chapter 14. From Crete to Rome -- Part 5: “. . . And Although I Am No Count . . .” -- Chapter 15 Masters and Servants -- Chapter 16. Gaits of History -- Chapter 17. Looking for Enlightenment -- Chapter 18. Tamino’s Wonder -- Appendix: “Backstage” -- Notes -- Select Bibliography -- Index |
title_new |
The Politics of Opera : |
title_sort |
the politics of opera : a history from monteverdi to mozart / |
publisher |
Princeton University Press, |
publishDate |
2017 |
physical |
1 online resource (512 p.) : 20 halftones. |
contents |
Frontmatter -- Contents -- Illustrations -- Prologue: Mixtures, Boundaries, Parallels -- Acknowledgments -- Part 1: Metamorphoses, ancient to Modern -- Chapter 1. Who Rules? -- Chapter 2. Reigning Voices -- Chapter 3. Laws and Laurels -- Part 2: Mantua to Venice -- Chapter 4. Orpheus’s Ways -- Chapter 5. A Prince Decides on Naxos -- Chapter 6. The Political Scenario of Monteverdi’s Venice -- Chapter 7. Revealing Ulysses -- Chapter 8. Spectacles -- Part 3: Under French Suns -- Chapter 9. Agitations and Absolutes -- Chapter 10. In the Winds: The Decades of Pernucio And Telemachus -- Chapter 11. Vertical, Horizontal -- Chapter 12. Nature and Its Discontents -- Part 4: Ancients in Modernity -- Chapter 13. From Elysium to Utica -- Chapter 14. From Crete to Rome -- Part 5: “. . . And Although I Am No Count . . .” -- Chapter 15 Masters and Servants -- Chapter 16. Gaits of History -- Chapter 17. Looking for Enlightenment -- Chapter 18. Tamino’s Wonder -- Appendix: “Backstage” -- Notes -- Select Bibliography -- Index |
isbn |
9781400884735 9783110543322 9783110606591 9780691175027 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML3918 |
callnumber-sort |
ML 43918 O64 C65 42017EB |
url |
https://doi.org/10.1515/9781400884735?locatt=mode:legacy https://www.degruyter.com/isbn/9781400884735 https://www.degruyter.com/document/cover/isbn/9781400884735/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
782 - Vocal music |
dewey-full |
782.109 |
dewey-sort |
3782.109 |
dewey-raw |
782.109 |
dewey-search |
782.109 |
doi_str_mv |
10.1515/9781400884735?locatt=mode:legacy |
oclc_num |
984647722 |
work_keys_str_mv |
AT cohenmitchell thepoliticsofoperaahistoryfrommonteverditomozart AT cohenmitchell politicsofoperaahistoryfrommonteverditomozart |
status_str |
n |
ids_txt_mv |
(DE-B1597)479677 (OCoLC)984647722 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2017 Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2018 |
is_hierarchy_title |
The Politics of Opera : A History from Monteverdi to Mozart / |
container_title |
Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2017 |
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Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce.Cohen begins with opera's emergence under Medici absolutism in Florence during the late Renaissance—where debates by humanists, including Galileo's father, led to the first operas in the late sixteenth century. Taking readers to Mantua and Venice, where composer Claudio Monteverdi flourished, Cohen examines how early operatic works like Orfeo used mythology to reflect on governance and policy issues of the day, such as state jurisdictions and immigration. Cohen explores France in the ages of Louis XIV and the Enlightenment and Vienna before and during the French Revolution, where the deceptive lightness of Mozart's masterpieces touched on the havoc of misrule and hidden abuses of power. 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