Style in Hamlet / / Maurice Charney.
Shakespeare intended his plays to be seen, not read. With this thought uppermost in mind, Charney offers here a provocative analysis of Hamlet, the most stylistically inventive of all Shakespeare's plays, strictly in terms of its style-by which he means the distinct modes of expression used by...
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Superior document: | Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1931-1979 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2015] ©1969 |
Year of Publication: | 2015 |
Language: | English |
Series: | Princeton Legacy Library ;
2381 |
Online Access: | |
Physical Description: | 1 online resource (356 p.) |
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Table of Contents:
- Frontmatter
- Acknowledgments
- Contents
- Key to References
- Introduction
- PART ONE. IMAGERY
- 1. War, Weapons, and Explosives
- 2. Secrecy and Poison
- 3. Corruption
- 4. Limits
- 5. Art, Acting, and the Theater
- PART TWO. STAGING AND STRUCTURE
- 6. Gesture and Stage Action
- 7. Sound Effects and Music, Costumes, and Stage Properties
- 8. "The Very Cunning of the Scene"
- PART THREE. DRAMATIC CHARACTER
- 9. Claudius: "Break not your sleeps for that"
- 10. Polonius: " 'Beautified' is a vile phrase"- " 'Mobled queen' is good"
- 11. Hamlet: 'How pregnant sometimes his replies are"
- Conclusion
- Index