Beyond the Beat : : Musicians Building Community in Nashville / / Daniel B. Cornfield.
At a time when the bulwarks of the music industry are collapsing, what does it mean to be a successful musician and artist? How might contemporary musicians sustain their artistic communities? Based on interviews with over seventy-five popular-music professionals in Nashville, Beyond the Beat looks...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2014-2015 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2015] ©2016 |
Year of Publication: | 2015 |
Edition: | Pilot project,eBook available to selected US libraries only |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (232 p.) :; 5 line illus. 2 tables. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
LEADER | 07077nam a22013575i 4500 | ||
---|---|---|---|
001 | 9781400873890 | ||
003 | DE-B1597 | ||
005 | 20210824034702.0 | ||
006 | m|||||o||d|||||||| | ||
007 | cr || |||||||| | ||
008 | 210824t20152016nju fo d z eng d | ||
020 | |a 9781400873890 | ||
024 | 7 | |a 10.1515/9781400873890 |2 doi | |
035 | |a (DE-B1597)460040 | ||
035 | |a (OCoLC)984663732 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
044 | |a nju |c US-NJ | ||
050 | 4 | |a HN79 | |
072 | 7 | |a SOC026000 |2 bisacsh | |
100 | 1 | |a Cornfield, Daniel B., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Beyond the Beat : |b Musicians Building Community in Nashville / |c Daniel B. Cornfield. |
250 | |a Pilot project,eBook available to selected US libraries only | ||
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2015] | |
264 | 4 | |c ©2016 | |
300 | |a 1 online resource (232 p.) : |b 5 line illus. 2 tables. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface and Acknowledgments -- |t Chapter 1. Creating Community in an Individualistic Age -- |t Chapter 2. Artist Activism: Building Occupational Communities in Risky Times -- |t Chapter 3. Self-contained, Self-expression: The Transformative Generation of Enterprising Artists -- |t Chapter 4. Identities in Play: The Contemporary Generation of Enterprising Artists -- |t Chapter 5. Creating Social Spaces for Artists: Pathways to Becoming an Artistic Social Entrepreneur -- |t Chapter 6. Artist Advocates: The Corporate and Entrepreneurial Generations of Arts Trade Union Activists -- |t Chapter 7. Community, Agency, and Artistic Expression -- |t APPENDIX. Interview Schedule -- |t Notes -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a At a time when the bulwarks of the music industry are collapsing, what does it mean to be a successful musician and artist? How might contemporary musicians sustain their artistic communities? Based on interviews with over seventy-five popular-music professionals in Nashville, Beyond the Beat looks at artist activists-those visionaries who create inclusive artist communities in today's individualistic and entrepreneurial art world. Using Nashville as a model, Daniel Cornfield develops a theory of artist activism-the ways that artist peers strengthen and build diverse artist communities.Cornfield discusses how genre-diversifying artist activists have arisen throughout the late twentieth-century musician migration to Nashville, a city that boasts the highest concentration of music jobs in the United States. Music City is now home to diverse recording artists-including Jack White, El Movimiento, the Black Keys, and Paramore. Cornfield identifies three types of artist activists: the artist-producer who produces and distributes his or her own and others' work while mentoring early-career artists, the social entrepreneur who maintains social spaces for artist networking, and arts trade union reformers who are revamping collective bargaining and union functions. Throughout, Cornfield examines enterprising musicians both known and less recognized. He links individual and collective actions taken by artist activists to their orientations toward success, audience, and risk and to their original inspirations for embarking on music careers.Beyond the Beat offers a new model of artistic success based on innovating creative institutions to benefit the society at large. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) | |
650 | 0 | |a Community development |z Tennessee |z Nashville. | |
650 | 0 | |a Community development. | |
650 | 0 | |a Music Ex Social aspects |z Tennessee |z Nashville. | |
650 | 0 | |a Music trade |z Tennessee |z Nashville. | |
650 | 0 | |a Music |x Social aspects |z Tennessee |z Nashville. | |
650 | 0 | |a Music |x Social aspects. | |
650 | 0 | |a Musicians |z Tennessee |z Nashville. | |
650 | 7 | |a SOCIAL SCIENCE / Sociology / General. |2 bisacsh | |
653 | |a Local 257. | ||
653 | |a Music City. | ||
653 | |a Nashville artist activism. | ||
653 | |a Nashville artists. | ||
653 | |a Nashville musician community. | ||
653 | |a Nashville musician. | ||
653 | |a Nashville musicians. | ||
653 | |a Nashville. | ||
653 | |a artist activism. | ||
653 | |a artist activist. | ||
653 | |a artist activists. | ||
653 | |a artist-producer. | ||
653 | |a artistic freedom. | ||
653 | |a artistic social enterprise. | ||
653 | |a artistic social entrepreneurs. | ||
653 | |a arts trade union. | ||
653 | |a arts trade unionism. | ||
653 | |a arts trade unionists. | ||
653 | |a career pathways. | ||
653 | |a collective action. | ||
653 | |a collegial interpersonal relations. | ||
653 | |a contemporary generation. | ||
653 | |a cross-promotion. | ||
653 | |a enterprising artists. | ||
653 | |a entrepreneurial artists. | ||
653 | |a indie entrepreneurial music. | ||
653 | |a individual action. | ||
653 | |a intergenerational peer mentoring. | ||
653 | |a labor organizations. | ||
653 | |a major record labels. | ||
653 | |a music career. | ||
653 | |a music industry. | ||
653 | |a musicians. | ||
653 | |a peer community. | ||
653 | |a peer mentoring. | ||
653 | |a policy implications. | ||
653 | |a popular music. | ||
653 | |a self-determination. | ||
653 | |a self-instruction. | ||
653 | |a social enterprise. | ||
653 | |a social entrepreneur. | ||
653 | |a social entrepreneurs. | ||
653 | |a sociological theory. | ||
653 | |a sociology of work. | ||
653 | |a subjective orientations. | ||
653 | |a trade union reformer. | ||
653 | |a transformative generation. | ||
653 | |a union activists. | ||
653 | |a urban occupational communities. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton University Press Complete eBook-Package 2014-2015 |z 9783110665925 |
776 | 0 | |c print |z 9780691160733 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781400873890?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781400873890 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/cover/covers/9781400873890.jpg |
912 | |a 978-3-11-066592-5 Princeton University Press Complete eBook-Package 2014-2015 |c 2014 |d 2015 | ||
912 | |a EBA_BACKALL | ||
912 | |a EBA_CL_SN | ||
912 | |a EBA_EBACKALL | ||
912 | |a EBA_EBKALL | ||
912 | |a EBA_ECL_SN | ||
912 | |a EBA_EEBKALL | ||
912 | |a EBA_ESSHALL | ||
912 | |a EBA_PPALL | ||
912 | |a EBA_SSHALL | ||
912 | |a EBA_STMALL | ||
912 | |a GBV-deGruyter-alles | ||
912 | |a PDA11SSHE | ||
912 | |a PDA12STME | ||
912 | |a PDA13ENGE | ||
912 | |a PDA17SSHEE | ||
912 | |a PDA5EBK |