Dramatic Character in the English Romantic Age / / Joseph W. Donohue.

This was the age of the star. For the first time in the history of the theater, the playwright took second place to the actor; the interpretation of the role assumed primary importance in a assessing a performance. It was Mr. Kean's Hamlet first, and Mr. Shakespeare's second.What effects d...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1931-1979
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2015]
©1970
Year of Publication:2015
Language:English
Series:Princeton Legacy Library ; 1826
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Physical Description:1 online resource (448 p.)
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Table of Contents:
  • Frontmatter
  • Acknowledgments
  • Contents
  • Illustrations
  • Abbreviations and Citations
  • Introduction
  • PART I. Dramatic Character and Romantic Drama
  • CHAPTER I. The Affective Drama of Situation
  • CHAPTER II. The Persistence of the Fletcherian Mode
  • CHAPTER III. Affective Drama and the Moment of Response
  • CHAPTER IV. Romantic Heroism and Its Milieu
  • PART II. Tradition and Innovation in Characters and Plays
  • CHAPTER V. The West Indian: Cumberland, Goldsmith, and the Uses of Comedy
  • CHAPTER VI. Sheridan's Pizarro: Natural Religion and the Artificial Hero
  • CHAPTER VII. The Cenci: The Drama of Radical Innocence
  • PART III. Shakespearean Character in the Romantic Age
  • CHAPTER VIII. Macbeth and Richard III: Dramatic Character and the Shakespearean Critical Tradition
  • CHAPTER IX. Garrick's Shakespeare and Subjective Dramatic Character
  • CHAPTER X. Shakespearean Character on the Early Romantic Stage
  • CHAPTER XI. Coleridge, Lamb, and the Theater of the Mind
  • CHAPTER XII. Hazlitt, Kean, and the Lofty Platform of Imagination
  • Conclusion
  • BIBLIOGRAPHICAL NOTE
  • INDEX