Shakespeare and the Energies of Drama / / Michael Goldman.
Shakespeare's texts are seen by the poet and critic Michael Goldman as designs for theatrical experience-the complex emotional, physical, and intellectual transaction between actor and audience that brings alive Shakespeare's imagination and makes it immediate to our own. Mr. Goldman'...
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Superior document: | Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1931-1979 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2015] ©1972 |
Year of Publication: | 2015 |
Language: | English |
Series: | Princeton Legacy Library ;
1287 |
Online Access: | |
Physical Description: | 1 online resource (188 p.) |
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Table of Contents:
- Frontmatter
- Acknowledgments
- Contents
- I. Introduction: Shakespeare's Bodies
- II. The Unsounded Self
- III. Romeo and Juliet. The Meaning of a Theatrical Experience
- IV. Falstaif Asleep
- V. Henry V. The Strain of Rule
- VI. Hamlet and Our Problems
- VII. The Worst of King Lear
- VIII. Coriolanus and the Crowd
- IX. The Winters Tale and The Tempest
- Appendices
- Index