Reservations : : Poems / / James Richardson.

"The poems are elegies for everything, including myself," writes James Richardson. "Beyond this, I cannot pretend to be certain of much about them. I suppose they reflect a self with only a tenuous grip on its surroundings, threatened by their (and its own) continuous vanishing. The p...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1931-1979
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2015]
©1977
Year of Publication:2015
Language:English
Series:Princeton Series of Contemporary Poets ; 101
Online Access:
Physical Description:1 online resource (86 p.)
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Other title:Frontmatter --
Acknowledgments --
Contents --
In Touch --
The Tracks --
Elegy for a Cousin --
Writing to You after Sunset --
The Vanished --
A Season of Farewell --
Lepidoptera --
Settlements --
The Encyclopedia of the Stones: A Pastoral for Samuel H. Monk --
The Morning After --
For Deucalion and Pyrrha --
The Dead --
Homing --
For October --
Set --
Elegy for the Left Hand --
Instructions for a Commando --
Plowing Under --
A Coast --
A Few Things for the End --
The Lake --
A Ransom Note --
An End of Ends --
Somebody Else --
Sieges --
The Crime --
Elegy for a Deaf Mute --
Soutliern Railway Embankment, Charlottesville, Va. --
In the Museum of the River --
Moving In --
The Operations --
Ashes --
The Condemned --
Close --
The Family of Ties --
Returns --
Driver Education --
Elegy for Ninety-Two and Two --
The Will --
Nine Thousand Days --
Elegy for One Who Never Lived --
A Little Answer --
Onthe Anniversary of Your Death --
Going North for the Winter --
Coda for October in May they sing of October --
The Abandoned Tracks --
An Age
Summary:"The poems are elegies for everything, including myself," writes James Richardson. "Beyond this, I cannot pretend to be certain of much about them. I suppose they reflect a self with only a tenuous grip on its surroundings, threatened by their (and its own) continuous vanishing. The poems respond with a helplessness, fitful control, and not a little tenderness. Like the protagonists of The Encyclopedia of Stones: A Pastoral, I am very slow, both unsettled and inspired by the vertiginous strangeness and speed of events. I suspect these melancholy and disembodied poems are attempts to arrest the moment long enough to say farewell, to let things go rather than be subject to their disappearance."Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781400870851
9783110426847
9783110413533
9783110665925
9783110442496
DOI:10.1515/9781400870851
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: James Richardson.