Midday In Italian Literature : : Variations of an Archetypal Theme / / Nicolas James Perella.

• Superior document: Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1931-1979
• VerfasserIn: Perella, Nicolas James,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2015]; ©1979
• Year of Publication: 2015
• Language: English
• Series: Princeton Legacy Library ; 1469
• Physical Description: 1 online resource (348 p.)
• Other title: Frontmatter --; Contents --; Preface --; Introduction --; I. From Dante to Pindemonte --; II. The Nineteenth Century --; III. Gabriele D'Annunzio --; IV. Some Twentieth-Century Voices --; V. Giuseppe Ungaretti --; VI . Eugenio Montale --; Conclusion --; Notes --; Bibliography --; Index --; Backmatter
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781400870677; 9783110426847; 9783110413533; 9783110442496
• DOI: 10.1515/9781400870677
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Nicolas James Perella.

Although midday is commonly associated with indolence or the languishing of both nature and humanity in stifling heat, Nicolas Perella shows that this connection-however real-is secondary to an archetypal encounter with noontide as a moment of existential crisis of spiritual as well as erotic dimensions. First tracing the literary presence of this image from classical and biblical antiquity to Nietzsche and other modern writers, he then analyzes the preoccupation with midday in the imagination of Italian authors from Dante to the present. When the sun is at its point of greatest strength, the blaze of noon is variously experienced as a wave of glory or a moment of dread, as an occasion for reaching out to the Absolute or retreating from the Abyss, as a source of fullness and energy or of emptiness and lethargy, that ultimately may either expand or annihilate being. The author contends that it is the intimation of crisis surrounding this ambiguous moment that accounts for the richly variegated psychological and aesthetic experience of its imagery in Italian literature.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.