Franz Schubert and His World / / Christopher H. Gibbs, Morten Solvik.

• Superior document: Title is part of eBook package: De Gruyter PUP eBook-Package Pilot Project 2014-2015
• TeilnehmendeR: Gibbs, Christopher H.,; Solvik, Morten,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2014]; ©2014
• Year of Publication: 2014
• Edition: Pilot project. eBook available to selected US libraries only
• Language: English
• Series: The Bard Music Festival ; 37
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Preface --; Acknowledgments --; Permissions and Credits --; Schubert: The Nonsense Society Revisited /; Excerpts from Beyträge zur Bildung für Jünglinge, 1817-1818 /; "Those of us who found our life in art": The Second-Generation Romanticism of the Schubert-Schober Circle, 1820-1825 /; Schubert's Kosegarten Settings of 1815: A Forgotten Liederspiel /; The Queen of Golconda, the Ashman, and the Shepherd on a Rock: Schubert and the Vienna Volkstheater /; Liszt on Schubert's Alfonso und Estrella --; Schubert's Freedom of Song, if Not Speech /; Schubert's Tombeau de Beethoven: Decrypting the Piano Trio in E-Flat Major, Op. 100 /; Schubert in History /; Index --; Notes on Contributors
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781400865352; 9783110444186; 9783110665925
• DOI: 10.1515/9781400865352
• Hierarchical level: Monograph
• Statement of Responsibility: Christopher H. Gibbs, Morten Solvik.

During his short lifetime, Franz Schubert (1797-1828) contributed to a wide variety of musical genres, from intimate songs and dances to ambitious chamber pieces, symphonies, and operas. The essays and translated documents in Franz Schubert and His World examine his compositions and ties to the Viennese cultural context, revealing surprising and overlooked aspects of his music.Contributors explore Schubert's youthful participation in the Nonsense Society, his circle of friends, and changing views about the composer during his life and in the century after his death. New insights are offered about the connections between Schubert's music and the popular theater of the day, his strategies for circumventing censorship, the musical and narrative relationships linking his song settings of poems by Gotthard Ludwig Kosegarten, and musical tributes he composed to commemorate the death of Beethoven just twenty months before his own. The book also includes translations of excerpts from a literary journal produced by Schubert's classmates and of Franz Liszt's essay on the opera Alfonso und Estrella. In addition to the editors, the contributors are Leon Botstein, Lisa Feurzeig, John Gingerich, Kristina Muxfeldt, and Rita Steblin.