Rural Scenes and National Representation : : Britain, 1815-1850 / / Elizabeth K. Helsinger.

• Superior document: Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999
• VerfasserIn: Helsinger, Elizabeth K.,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2014]; ©1996
• Year of Publication: 2014
• Edition: Course Book
• Language: English
• Series: Literature in History ; 343
• Physical Description: 1 online resource (320 p.) :; 15 halftones
• Other title: Frontmatter --; CONTENTS --; ILLUSTRATIONS --; ACKNOWLEDGMENTS --; INTRODUCTION. LAND AND THE NATION --; PART I. ICONS AND AUDIENCES --; ONE. CONSTABLE: THE MAKING OF A NATIONAL PAINTER --; TWO. OUT OF THE HEART OF THE COUNTRY: TENNYSON'S ENGLISH IDYLS --; PART II. CONTESTED GROUND --; THREE. COBBETT'S RADICAL HUSBANDRY --; FOUR. CLARE AND THE PLACE OF THE PEASANT POET --; FIVE. TURNER'S ENGLAND AND WALES --; SIX. BRONTE'S GHOSTS --; RETROSPECT. ELIOT'S RISKY HISTORY --; NOTES --; INDEX --; ABOUT THE AUTHOR
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781400864379; 9783110413441; 9783110413533; 9783110442496
• DOI: 10.1515/9781400864379
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Elizabeth K. Helsinger.

Elizabeth Helsinger's iconoclastic book explores the peculiar power of rural England to stand for conflicting ideas of Britain. Despite the nostalgic appeal of Constable's or Tennyson's rural scenes, they record the severe social and economic disturbances of the turbulent years after Waterloo. Artists and writers like Cobbett, Clare, Turner, Emily Brontë, and George Eliot competed to claim the English countryside as ideological ground. No image of rural life produced consensus over the great questions: who should constitute the nation, and how should they be represented? Helsinger ponders how some images of rural life and land come to serve as national metaphors while others challenge their constructions of Englishness at the heart of the British Empire.Drawing on recent work in social history, nationalism, and geography, as well as the visual and literary arts, Helsinger recovers other possible and alternative readings of social ties embedded in the imagery of land. She reflects on the power of rural images to transfer local loyalties to the national scene, first popularizing then institutionalizing them. By turning a critical gaze on these scenes, she comments on the difference between art and ideology, and the problems and dangers of asserting any kind of national identity through imagery of the land.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.