Incorporating Images : : Film and the Rival Arts / / Brigitte Peucker.
Film, a latecomer to the realm of artistic media, alludes to, absorbs, and undermines the discourses of the other arts--literature and painting especially--in order to carve out a position for itself among them. Exposing the anxiety in film's relation to its rival arts, Brigitte Peucker analyze...
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2014] ©1995 |
Year of Publication: | 2014 |
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Language: | English |
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Peucker, Brigitte, author. aut http://id.loc.gov/vocabulary/relators/aut Incorporating Images : Film and the Rival Arts / Brigitte Peucker. Course Book Princeton, NJ : Princeton University Press, [2014] ©1995 1 online resource (240 p.) : 2 halftones on 12 pages text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Princeton Legacy Library ; 300 Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- CHAPTER 1. Movement, Fragmentation, and the Uncanny -- CHAPTER 2. Monstrous Births: The Hybrid Text -- CHAPTER 3. Incorporation: Images and the Real -- Afterword -- Notes -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Film, a latecomer to the realm of artistic media, alludes to, absorbs, and undermines the discourses of the other arts--literature and painting especially--in order to carve out a position for itself among them. Exposing the anxiety in film's relation to its rival arts, Brigitte Peucker analyzes central issues involved in generic boundary crossing as they pertain to film and situates them in a theoretical framework. The figure of the human body takes center stage in Peucker's innovative study, for it is through this figure that the conjunction of literary and painterly discourses persistently articulates itself. It is through the human body, too, that film's consciousness of itself as a hybrid text and as a "machine for simulation" makes itself deeply felt.In films ranging from Weimar cinema through Griffith, Hitchcock, and Greenaway, Peucker probes issues in aesthetics problematized by Diderot and Kleist, among others. She argues that the introduction of movement into visual representation occasioned by film brings with it an underlying tension suggestive of castration and death. Peucker goes on to demonstrate how the encounter between narrative and image is both gendered and sexualized, rendering film a "monstrous" hybrid. In a final section, she explores in specific cinematic texts the permeable boundary between the real and representation, suggesting how effects such as tableau vivant and trompe l'oeil figure sexuality and death.Originally published in 1995.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Motion pictures and the arts. Motion pictures Aesthetics. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999 9783110413441 Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package Art & Architecture 9783110413502 Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 9783110442496 print 9780691600673 https://doi.org/10.1515/9781400864027 https://www.degruyter.com/isbn/9781400864027 Cover https://www.degruyter.com/cover/covers/9781400864027.jpg |
language |
English |
format |
eBook |
author |
Peucker, Brigitte, Peucker, Brigitte, |
spellingShingle |
Peucker, Brigitte, Peucker, Brigitte, Incorporating Images : Film and the Rival Arts / Princeton Legacy Library ; Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- CHAPTER 1. Movement, Fragmentation, and the Uncanny -- CHAPTER 2. Monstrous Births: The Hybrid Text -- CHAPTER 3. Incorporation: Images and the Real -- Afterword -- Notes -- Index |
author_facet |
Peucker, Brigitte, Peucker, Brigitte, |
author_variant |
b p bp b p bp |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Peucker, Brigitte, |
title |
Incorporating Images : Film and the Rival Arts / |
title_sub |
Film and the Rival Arts / |
title_full |
Incorporating Images : Film and the Rival Arts / Brigitte Peucker. |
title_fullStr |
Incorporating Images : Film and the Rival Arts / Brigitte Peucker. |
title_full_unstemmed |
Incorporating Images : Film and the Rival Arts / Brigitte Peucker. |
title_auth |
Incorporating Images : Film and the Rival Arts / |
title_alt |
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- CHAPTER 1. Movement, Fragmentation, and the Uncanny -- CHAPTER 2. Monstrous Births: The Hybrid Text -- CHAPTER 3. Incorporation: Images and the Real -- Afterword -- Notes -- Index |
title_new |
Incorporating Images : |
title_sort |
incorporating images : film and the rival arts / |
series |
Princeton Legacy Library ; |
series2 |
Princeton Legacy Library ; |
publisher |
Princeton University Press, |
publishDate |
2014 |
physical |
1 online resource (240 p.) : 2 halftones on 12 pages Issued also in print. |
edition |
Course Book |
contents |
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- CHAPTER 1. Movement, Fragmentation, and the Uncanny -- CHAPTER 2. Monstrous Births: The Hybrid Text -- CHAPTER 3. Incorporation: Images and the Real -- Afterword -- Notes -- Index |
isbn |
9781400864027 9783110413441 9783110413502 9783110442496 9780691600673 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.25 |
url |
https://doi.org/10.1515/9781400864027 https://www.degruyter.com/isbn/9781400864027 https://www.degruyter.com/cover/covers/9781400864027.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/01 |
dewey-sort |
3791.43 11 |
dewey-raw |
791.43/01 |
dewey-search |
791.43/01 |
doi_str_mv |
10.1515/9781400864027 |
oclc_num |
922697810 |
work_keys_str_mv |
AT peuckerbrigitte incorporatingimagesfilmandtherivalarts |
status_str |
n |
ids_txt_mv |
(DE-B1597)447541 (OCoLC)922697810 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999 Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package Art & Architecture Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
is_hierarchy_title |
Incorporating Images : Film and the Rival Arts / |
container_title |
Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999 |
_version_ |
1770176714065838080 |
fullrecord |
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