Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich / / David Crook.
After the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this re...
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2014] ©1994 |
Year of Publication: | 2014 |
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Language: | English |
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Physical Description: | 1 online resource (312 p.) :; 3 figs. 39 music examples |
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Crook, David, author. aut http://id.loc.gov/vocabulary/relators/aut Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich / David Crook. Course Book Princeton, NJ : Princeton University Press, [2014] ©1994 1 online resource (312 p.) : 3 figs. 39 music examples text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Princeton Legacy Library ; 224 Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Pitch, Clef, and Chord Designations -- Chapter 1. Introduction: Orlando di Lasso and the Polyphonic Magnificat -- Part I. LITURGICAL AND CULTURAL CONTEXTS -- Chapter 2. Sixteenth-Century Vespers Polyphony for the Bavarian Court, the Use of Freising, and the Tridentine Reforms -- Chapter 3. The Patrona Bavarian: Music and the Counter-Reformation in Bavaria -- PART II. COMPOSITIONAL PRACTICE -- Chapter 4. The Representation of Psalm-Tone Categories in Imitation Magnificats -- Chapter 5. The Intertextuality of Lasso's Imitation Magnificats -- Appendix 1: The Magnificat Set to Lasso's Canticle Tone No. 2 -- Appendix 2: Catalog of Lasso Magnificats with First Publications and Approximate Dates of Composition -- Appendix 3: Instructions for the Elevation of the Image of the Risen Christ after None on Ascension -- Appendix 4: Correspondences between Lasso's Imitation Magnificats and Their Model Compositions -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star After the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this repertory, David Crook focuses on the forty parody or imitation Magnificats, which Lasso based on motets, madrigals, and chansons written by such composers as Josquin and Rore. By examining these Magnificats in their social, historical, and liturgical contexts and in terms of composition theory, Crook opens a new window on the breadth and subtlety of an important composer often harshly judged on his use of preexistent music.Crook places Lasso amidst the Counter-Reformation reforms at the Bavarian court where he composed the Magnificats, and where there emerged a fanatical Marian cult that favored this genre. In a section on compositional procedure, Crook explains that Lasso abandoned the traditional eight psalm-tone melodies in his imitation Magnificats, considers the new ways he found to represent the tones, and describes how Lasso's experimentation reflected the complex relationship between mode and tone in Renaissance theory and practice. Arguing that Lasso's varied uses of preexistent music defy current definitions of parody technique, Crook, in his final chapter, reveals the imitation Magnificats as vastly more imaginative and innovative than previous characterizations suggest.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Church music Germany Munich 16th century. Magnificat (Music) History and criticism. MUSIC / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999 9783110413441 Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package Art & Architecture 9783110413502 Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 9783110442496 print 9780691601175 https://doi.org/10.1515/9781400863785 https://www.degruyter.com/isbn/9781400863785 Cover https://www.degruyter.com/cover/covers/9781400863785.jpg |
language |
English |
format |
eBook |
author |
Crook, David, Crook, David, |
spellingShingle |
Crook, David, Crook, David, Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich / Princeton Legacy Library ; Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Pitch, Clef, and Chord Designations -- Chapter 1. Introduction: Orlando di Lasso and the Polyphonic Magnificat -- Part I. LITURGICAL AND CULTURAL CONTEXTS -- Chapter 2. Sixteenth-Century Vespers Polyphony for the Bavarian Court, the Use of Freising, and the Tridentine Reforms -- Chapter 3. The Patrona Bavarian: Music and the Counter-Reformation in Bavaria -- PART II. COMPOSITIONAL PRACTICE -- Chapter 4. The Representation of Psalm-Tone Categories in Imitation Magnificats -- Chapter 5. The Intertextuality of Lasso's Imitation Magnificats -- Appendix 1: The Magnificat Set to Lasso's Canticle Tone No. 2 -- Appendix 2: Catalog of Lasso Magnificats with First Publications and Approximate Dates of Composition -- Appendix 3: Instructions for the Elevation of the Image of the Risen Christ after None on Ascension -- Appendix 4: Correspondences between Lasso's Imitation Magnificats and Their Model Compositions -- Works Cited -- Index |
author_facet |
Crook, David, Crook, David, |
author_variant |
d c dc d c dc |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Crook, David, |
title |
Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich / |
title_full |
Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich / David Crook. |
title_fullStr |
Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich / David Crook. |
title_full_unstemmed |
Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich / David Crook. |
title_auth |
Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Pitch, Clef, and Chord Designations -- Chapter 1. Introduction: Orlando di Lasso and the Polyphonic Magnificat -- Part I. LITURGICAL AND CULTURAL CONTEXTS -- Chapter 2. Sixteenth-Century Vespers Polyphony for the Bavarian Court, the Use of Freising, and the Tridentine Reforms -- Chapter 3. The Patrona Bavarian: Music and the Counter-Reformation in Bavaria -- PART II. COMPOSITIONAL PRACTICE -- Chapter 4. The Representation of Psalm-Tone Categories in Imitation Magnificats -- Chapter 5. The Intertextuality of Lasso's Imitation Magnificats -- Appendix 1: The Magnificat Set to Lasso's Canticle Tone No. 2 -- Appendix 2: Catalog of Lasso Magnificats with First Publications and Approximate Dates of Composition -- Appendix 3: Instructions for the Elevation of the Image of the Risen Christ after None on Ascension -- Appendix 4: Correspondences between Lasso's Imitation Magnificats and Their Model Compositions -- Works Cited -- Index |
title_new |
Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich / |
title_sort |
orlando di lasso's imitation magnificats for counter-reformation munich / |
series |
Princeton Legacy Library ; |
series2 |
Princeton Legacy Library ; |
publisher |
Princeton University Press, |
publishDate |
2014 |
physical |
1 online resource (312 p.) : 3 figs. 39 music examples Issued also in print. |
edition |
Course Book |
contents |
Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Pitch, Clef, and Chord Designations -- Chapter 1. Introduction: Orlando di Lasso and the Polyphonic Magnificat -- Part I. LITURGICAL AND CULTURAL CONTEXTS -- Chapter 2. Sixteenth-Century Vespers Polyphony for the Bavarian Court, the Use of Freising, and the Tridentine Reforms -- Chapter 3. The Patrona Bavarian: Music and the Counter-Reformation in Bavaria -- PART II. COMPOSITIONAL PRACTICE -- Chapter 4. The Representation of Psalm-Tone Categories in Imitation Magnificats -- Chapter 5. The Intertextuality of Lasso's Imitation Magnificats -- Appendix 1: The Magnificat Set to Lasso's Canticle Tone No. 2 -- Appendix 2: Catalog of Lasso Magnificats with First Publications and Approximate Dates of Composition -- Appendix 3: Instructions for the Elevation of the Image of the Risen Christ after None on Ascension -- Appendix 4: Correspondences between Lasso's Imitation Magnificats and Their Model Compositions -- Works Cited -- Index |
isbn |
9781400863785 9783110413441 9783110413502 9783110442496 9780691601175 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML410 |
callnumber-sort |
ML 3410 L3 C7 41994 |
geographic_facet |
Germany Munich |
era_facet |
16th century. |
url |
https://doi.org/10.1515/9781400863785 https://www.degruyter.com/isbn/9781400863785 https://www.degruyter.com/cover/covers/9781400863785.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
782 - Vocal music |
dewey-full |
782.2/95 |
dewey-sort |
3782.2 295 |
dewey-raw |
782.2/95 |
dewey-search |
782.2/95 |
doi_str_mv |
10.1515/9781400863785 |
oclc_num |
889252506 |
work_keys_str_mv |
AT crookdavid orlandodilassosimitationmagnificatsforcounterreformationmunich |
status_str |
n |
ids_txt_mv |
(DE-B1597)447517 (OCoLC)889252506 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999 Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package Art & Architecture Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
is_hierarchy_title |
Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich / |
container_title |
Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999 |
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